Blog : Posts tagged with 'filming'

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Vampire-Spotting

In which we suspect that some TV cameras might be taking the train


Regular readers over the past couple of years might have noticed that I quite enjoy spotting the filming locations of the paranormal TV drama* Being Human, filmed in a variety of easily-recognisable Bristol locations: Totterdown, Bedminster, Clifton, St George, College Green, and so on. Not for much longer, though, we thought: although the first two series were Bristol-based, the third series is apparently being moved over to Cardiff. Whether it will be the recognisable Cardiff Cardiff of Torchwood, or the generic anycity of Doctor Who, remains to be seen; but this was all clearly set up when, at the end of Series Two, the protagonists were forced to flee the house on the corner of Henry St and Windsor Terrace for an anonymous rural hideout. No more Bristol locations for us to spot, we thought.

Over the past week, we’ve been doing a lot of driving about moving house; we now know every intimate corner of every sensible route from south Bristol to east Bristol, or at least it feels like we do. So we were slightly surprised to see that, about a week ago, some more of these pink signs have popped up. “BH LOC” and “BH BASE”, as before.

We spotted them on Albert Road, near the Black Castle. “BH BASE” points along Bath Road, towards the Paintworks and the ITV studios. “BH LOC”, though, is intriguing. It points down the very last turning off Albert Road before the Black Castle end. That entrance only goes to two places: a KFC branch, and St Philips Marsh railway depot.

If you watched the second series of Being Human, you might remember that there was, indeed, a rather brutal train-based scene in a First Great Western carriage.** So, expect the third series to include, at the very least, an extension of that scene, if not a spin-off plotline. Or, alternatively, those signs aren’t really anything to do with Being Human at all, and it’s just coincidence that they pop up around Bristol a few months before each series appears on the telly.*** My money’s on that train from Series Two being the root of part of the Series Three plot; but, I guess, we’ll just have to wait, watch and see.

* Well, it started off as a comedy, and got more serious as it went along

** I was impressed that the programme’s fidelity-to-location included shooting that scene in a genuine local train, rather than just finding any railway prepared to get a carriage soaked with fake blood. Of course, it was probably a convenient location too.

*** The third possibility, of course, is that someone in Series Three tries to cure vampires and werewolves of their respective curses by getting them to eat large amounts of fried chicken.

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Lights And Action

In which we spot some filming going on, so talk about something completely different


On my way home, last night and the night before, I noticed something going on along Ashton Road. Big floodlights, lighting up the whole street: some sort of night filming was going on.

Being intrigued, I went to the internet to try to find out what it might be. And then I checked my website stats, and found that people have been coming to this site, already, to try to find out what was being filmed. They can’t have got an answer, at least not from me. I haven’t been able to find a complete one, either, but I have found that it’s a drama about “the lives of young women who are involved with drugs and prostitution“, and it’s not specifically set in Bedminster, Ashton Gate, or in Bristol in general. Cheerful, then.

It reminded me, though, to say: you’d be able to tell, just by looking at my website stats, that the new series of Being Human has started now, with new extra dark edginess and even dirtier vampires than before. You can tell, because of the number of people who are asking The Interweb where it was filmed. To be honest, the establishing shots in the new series make it even more obvious than previously: most of them clearly show the street name. For new readers: the Being Human house is 1, Windsor Terrace, Totterdown, Bristol.* The pub, going by the exterior shots, appears to be along Henry St. K and I had a debate about the location of the car park in Episode 1: she said Trenchard St, I said Prince St; and the gay vampire’s house in Episode 2 was on Redcliffe Parade – as anyone who’s visited Bristol probably realised. Handily just round the corner from the hospital, in fact, should you have an urgent need to pretend to be dead.**

* Not in Cardiff, as one searcher seemed to think, presumably as the series was commissioned by BBC Cymru/Wales.

** In fact, I’m slightly puzzled now, why he didn’t pop up in the first series? After all, if you’re going through a major crisis and the self-proclaimed Vampire Leader is promising to destroy you, and you have a friend who has helped you in the past and is probably On Your Side … and he lives about 2 minutes walk from where you work, you think you’d probably pop round at least once. Of course, I know the real reason is that he hadn’t been invented at that point, but never mind.

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Spot The Non-Difference

In which we spot France being invaded amid seaside amusements


Today’s blog is like one of those spot-the-difference puzzles where you have to spot hard-to-find differences between two apparently identical pictures. To make it a little bit different, though: here’s a carefully-prepared Spot The Non-Difference puzzle, where (for a change) you have to spot the hard-to-find connection between two apparently little-related pictures.

Firstly, we have a photo I first spotted in today’s Guardian. It’s a publicity still from the award-winning film Atonement, and shows James McAvoy hard at work apparently invading war-torn France:

James McAvoy in Atonement

Secondly, this photo, taken by Dimitra, some years ago now:

Cleethorpes beach, December 2001

Yes, I’m pretty sure they were taken at almost the same location, although, to be quite honest, if I didn’t already know that Atonement was filmed in the Symbolic Forest area, I’m not sure I would have spotted the link between them.

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