In which we are nosy
Overheard: a youngish woman walking down Bedminster Parade, phone in hand:
“I think I’m in Bedminster, Mum, but I don’t know where Bedminster is…”
A homage to loading screens.
In which we are nosy
Overheard: a youngish woman walking down Bedminster Parade, phone in hand:
“I think I’m in Bedminster, Mum, but I don’t know where Bedminster is…”
In which spending cuts may be a good thing
Following on from yesterday’s post about government spending cuts: there is, of course, one thing that would save quite a bit more money than freeing up some unused phone numbers. Regular readers of this blog will – especially if they were regular readers about a year ago – be very bored of me droning on about the West Of England Partnership‘s* ongoing guided busway scheme, which consists essentially of turning former and current railway alignments such as the Bristol-Bath Railway Path or the Bristol Harbour Railway into private roads for the exclusive use of First Group, at public cost. Rather high public cost, at that, as for any road scheme; and the first phase of the project would have no purpose other than to replace the current Ashton park-and-ride services with new, less useful, park-and-ride services from the same car park. Follow this link to read more.
Well, the local press has suddenly noticed that cancelling this scheme might be a nice easy way to cut the Department for Transport’s budget down a bit; and other local bloggers have had similar news on another poorly-thought-out local transport scheme. That big hole in the government budget, it appears, is suddenly going to mean no money for new roads, whether that be a replacement for Hartcliffe Way, or paving over the Harbour Railway so that bus routes 903 and 352 can avoid Hotwells Road.**
You might also notice a quote from Councillor Hopkins in that article. “An alternative might be a much cheaper ultra-light rail system, which was tried out on a short stretch of Bristol’s dockside several years ago.” He’s referring to a machine called the Parry People Mover, a small lightweight railcar powered by a flywheel that gets charged up at stops. I don’t see it happening, either. Parry People Movers have been tried at various sites, including the Bristol Harbour railway, but they’ve never seemed to last very long except for one location, Stourbridge (West Mids), a very short line with no intermediate stops. They need a railway line to run on, and reinstating the railway to Ashton Gate then extending it to Ashton Vale would be as expensive, probably, as building a road. Similarly, you couldn’t extend a Parry People Mover line into the city: you’d have to lay tramlines, for one thing, and if you were doing that, you may as well go with a real tram that doesn’t have to wait for a 5- or 10-minute recharge at each stop.
So: a short-for-cash government means no new buses and no new roads. In the long run, no new public transport is a Bad Thing; but new roads, public or private, always mean more traffic, higher emissions, and more oil used up. Hopefully, an enforced pause will mean we can wait for a while, until we can design a transport scheme that’s actually useful, not just one that’s easy.
* I do wonder sometimes what other local councils, like, say, Somerset, Devon, Dorset or Cornwall think of the CUBA local authorities claiming the name “West of England” for themselves and themselves alone.
** Because that, essentially, is all that first phase of the “Bus Rapid Transit” scheme, for all the work it needs, amounts to.
In which we tour the neighbourhood
We’re moving house, soon, from south Bristol to east Bristol. As we’re moving, here are some south Bristol photos.
In which we look around other people's houses and other people's art
As I said last week, I’ve been planning to write something about this year’s Southbank Bristol Arts Trail. Because, well, it’s a local event, a local grassroots event, and the sort of thing that more people should know about.
The idea, if you’ve not come across it before, is: local artists either open up their homes, or exhibit in local community spaces, studios, workshops and so on. The rest of the local community spend the weekend rambling around the area, getting slightly lost, hunting down these little artistic spaces and finding out what’s inside. I’m not entirely sure I’d want to open my house up, because if we did, we wouldn’t get any chance to go and investigate anyone else’s place. That’s half the fun of it. That, and poking around strange, unexpected corners of the neighbourhood. I’d never thought that the back of North Street can be so rural: but turning the corner of Sydney St mid-afternoon, we surprised a startled-looking fox, who had been trying to quietly plot a route into a henhouse.
There are so many places on the trail – 54 venues, most of which we managed to reach over the course of the weekend – that it is tricky just to summarise all of the ones we saw. But I’ll try: there was stained glass at the Southville Glass Studio, photography at the Spanish bar just by it; a First Crush Wall on Ashton Gate Terrace; pottery and photography in a B&B on Green Bank Road;* various artists and furniture at the ambulance station on Raleigh Road;** seascapes painted by someone called Shirley Gosling who has an impressively-decorated house; a set of prints by a group of designers, and a DJ in their kitchen; Terry Williams, who I’ve already mentioned; bedroom music in Rachael Dadd’s house on Birch Road; decorated china on Hamilton Road; interesting bird prints on Leighton Road; tiles and various other things further along the street; some pretty handmade jewellery on Beauley Road; an intriguing and bloody installation piece above the reclamation yard on Park Road;*** some excellent screen prints on Howard Road; too much to mention at the Southville Centre; a variety of art and sculpture in a flat on Stackpool Road; typographical artwork on Greville Road; free happiness to take home on Mount Pleasant Terrace; pottery and photography in a garage further along the street; are you still reading?; close-up abstract photography in a flat on North Street; a variety of things including photography, live pottery and well-known printmaker Lucie Sheridan at the old pickle factory that’s now a bed factory on Braunton Road; drawings on South Street; illustration on Agate Street; a delightful little sculpture garden tucked away on North Street; live printmaking of seascapes on Chessel Street; landscape paintings all the way down on Thanet Road; stuffed toys on Aubrey Road; an illustrator whose work I’m sure I recognised on the opposite side of the street; an empty house with “NO ART THIS YEAR, MAYBE NEXT YEAR” in the window on Balfour Road; and a variety of art and things on Truro Road. And breathe. If you read all the way through that, well done. Personally, I recommend spacing it out over a weekend.
At some point I will go back over all that and fill it out with links. It demonstrates, though, what a variety of creativity and artwork there is in a relatively small part of this city, not to mention what a variety of homes people have.**** And, too, it makes me think: “why aren’t we doing more of that?” I’m sure we could, if we were willing to stay in and show other people our home, instead of going out and looking at everyone else’s.
* Confusing geography moment: I discovered Bristol has a Greenbank Road and a Green Bank Road, nowhere near each other.
** Including some nature photography, an artist who had published a book about his leukaemia, and some rather homoerotic studies of men in showers. None of whose names I can remember: this is why I should write my blog posts straight away.
*** Not just in the attic space above the reclamation yard, either; it continued down the stairs and out into the street.
**** I was particularly impressed with one artist who had a copy of McDermott & Clinker’s classic History Of The Great Western Railway on their bookshelves.
In which we clear up odds and ends
… you start talking about the weather.
Some springtime might be nice. Instead, it’s been getting colder and damper and colder and damper. We’d turned the heating off to save a bit of gas; and were very reluctant to turn it back on, especially given the capricious nature of British Gas’s billing system.* It had to be done, though, otherwise the house probably would have started to sag into a mineshaft, or something along those lines. At least today things seem a bit brighter.
A web search that came in yesterday – terry williams artist bristol birch road – reminded me that I’ve been meaning to write about another recent event we attended, the Southbank Bristol Arts Trail, tramping the streets of Bedminster and Southville – in the damp, of course – visiting artists’ houses and viewing their art. As we did last year, in fact; and, like last year, we went to look at Terry Williams’ art in his home on Birch Road. His paintings aren’t the sort of artwork we’d want to buy for our own walls, but he’s clearly an accomplished artist; my favourite painting by him was a large canvas titled “Birnbeck Pier By Night”. Largely black, the spidery lines of the semi-disused pier-bridge** were marked out more by texture than by colour. I will write more about the arts trail, as soon as I go through the list of venues and can recall which one in my head matches up with which description.
* It will trundle along for a while before saying “ooh, you’re hugely in credit, we’d better cut your monthly payments.” Then, a few months later, it will change to “ooh, you’re hugely in debt, better treble your monthly payments.” You’d think they’d realise that gas usage is bound to drift up and down seasonally, and compensate for that; instead, the seasonal change in the payments seems to magnify rather than even out the changes in usage.
** It’s called a pier but I’d say it’s technically a bridge, because it goes out to an island.
In which Ipswich is apparently a suburb of Bristol
Regular readers – if there are any left – might recall that back in January I spotted some TV filming going on in our neighbourhood, that turned out to be for a drama about prostitutes, drugs, etc. that wasn’t set “specifically in Bristol.”
Well, indeed. Because it turned up on the telly last weekend, and it turned out to be Five Daughters: a drama-documentary about the Ipswich prostitute murders of 2006. Apparently, the film-makers thought that Bristol’s distinctive Victorian terraces look just like Ipswich’s (former) red-light district. Or that Bristol’s highly-distinctive market, on hilly Corn St, looks just like Ipswich city centre.
Now, I know telly is all about editing, and it’s not actually real. But, even so, we were slightly amused by moments such as: a car driving past the same restaurant (“Al’s Tikka Grill”, also known as the “Hungry Bite Cafe”, on Ashton Road) three times on the same journey, twice shot from the same angle.* Or, the way that Ipswich seems to consist solely of Ashton Road, a handful of roads off Ashton Road,** and Corn St. The way that they had used a real BBC Bristol reporter for their mocked-up news footage; and the way that the programme cut from clips of real news footage showing the real Ipswich, to shots of supposedly the same location, filmed in Bedminster and looking entirely different. I know it’s a drama, and I know their budget might have been a bit stretched, but I would have thought the crew would have put slightly more effort into suspending people’s disbelief.
* Well, he could have driven round the block
** There was also the A-One Cafe, near the junction of Duckmoor Road and Luckwell Road, and very definitely the A-One Cafe, its name visible all over the place.
In which there has apparently been a lot of fuss over nothing
Well, yes. It’s been quiet round here, hasn’t it. And, as I’ve said before, modern politics makes me want to retreat further into a bunker. There’s a reason why the three sane-and-national parties are so close together in the polls right now: on the surface they’re so close together on everything else. Do you support the ex-public-schoolboy who wants to cut taxes on business and cut public spending, or the ex-public-schoolboy who wants to cut taxes for lower incomes and scythe public spending? Or, of course, the ex-university-firebrand who is also going to cut public spending, but not yet? If you don’t like those, there’s the right-wing fringe: the doddery old chap who leads his party from the House of Lords, who responds to most questions with “I’m not a professional politican, so I don’t know all the details or what’s in our manifesto – can you ask me the questions I wanted you to ask me, please?” If you don’t like his apparent lack of knowledge of most things his party plans to do, there’s always the Cambridge graduate* who thinks that Ireland is part of Britain, and that none of those nasty foreign types should be allowed to settle here unless maybe they’re from a country like France where potential voters might want to retire to.** There’s probably a left-wing fringe, too, but they’ve not popped up on my radar.
Having said all that, I do feel slightly sorry for the former university firebrand, who, I’m told, caused havoc with the administration of my own alma mater back in the 1970s. Because, to be honest, I’m fully aware that politicians aren’t angels. Practically everyone I know, everyone I’ve ever come across, is willing to be polite to someone’s face, then complain about them behind their back. We’re all happy to say things in private, when we think it’s private, and we don’t expect that our enemies are listening in. If there’s one thing you can criticise Gordon Brown for over the events of yesterday, it’s that maybe he was too polite in public, and wasn’t willing to stand up strongly enough for what he presumably believes: that people who ask vague and poorly-stated non-questions that imply they don’t like the free movement of labour in Europe are, bluntly, wrong.
My vote, to be frank, doesn’t exactly make much difference. I live in one of the safest Labour seats in South-West England, one which even Michael Foot didn’t manage to lose in 1983. To move it to either of the other parties would need a monumental local swing: 13% for it to go Liberal, 15% to go Tory. The last local elections did see some movement towards the Liberals in some wards, but not, I think, enough to unseat our MP. Because of that, I don’t have any real expectation that the option I choose next Thursday will make any difference at all to the overall result. I’m fairly sure I promised one of our local councillors, too, that there was no way I was voting Labour whilst he still wanted to build a guided busway through Ashton and Spike Island; he still does, I assume, so I feel duty-bound to uphold my promise. Unfortunately, the Liberal Democrats also seem to like the idea, so it looks like this may well be the first election in which I end up spoiling my vote. Having said all that, though, the fuss over Gordon Brown and Gillian Duffy*** has had one effect on my voting intentions. For the first time in a couple of years, I’m considering voting for Labour.
* Robert Graves had a lifelong antipathy to Cambridge graduates. I must say, I think his instinctive reaction to them was wrong; but possibly, in this case, it would have been justified.
** Or they know how to build the nuclear power stations that he’s going to fill the country with, of course. I wonder how much uranium we have left.
*** Whose anger at being called a bigot is slightly tempered by the fact that she didn’t really understand what the word meant.
In which we spot some filming going on, so talk about something completely different
On my way home, last night and the night before, I noticed something going on along Ashton Road. Big floodlights, lighting up the whole street: some sort of night filming was going on.
Being intrigued, I went to the internet to try to find out what it might be. And then I checked my website stats, and found that people have been coming to this site, already, to try to find out what was being filmed. They can’t have got an answer, at least not from me. I haven’t been able to find a complete one, either, but I have found that it’s a drama about “the lives of young women who are involved with drugs and prostitution“, and it’s not specifically set in Bedminster, Ashton Gate, or in Bristol in general. Cheerful, then.
It reminded me, though, to say: you’d be able to tell, just by looking at my website stats, that the new series of Being Human has started now, with new extra dark edginess and even dirtier vampires than before. You can tell, because of the number of people who are asking The Interweb where it was filmed. To be honest, the establishing shots in the new series make it even more obvious than previously: most of them clearly show the street name. For new readers: the Being Human house is 1, Windsor Terrace, Totterdown, Bristol.* The pub, going by the exterior shots, appears to be along Henry St. K and I had a debate about the location of the car park in Episode 1: she said Trenchard St, I said Prince St; and the gay vampire’s house in Episode 2 was on Redcliffe Parade – as anyone who’s visited Bristol probably realised. Handily just round the corner from the hospital, in fact, should you have an urgent need to pretend to be dead.**
* Not in Cardiff, as one searcher seemed to think, presumably as the series was commissioned by BBC Cymru/Wales.
** In fact, I’m slightly puzzled now, why he didn’t pop up in the first series? After all, if you’re going through a major crisis and the self-proclaimed Vampire Leader is promising to destroy you, and you have a friend who has helped you in the past and is probably On Your Side … and he lives about 2 minutes walk from where you work, you think you’d probably pop round at least once. Of course, I know the real reason is that he hadn’t been invented at that point, but never mind.
In which we spot something getting under way again
Fans of supernatural TV drama series Being Human, currently making its move up the channels to BBC1, might be interested to know that location filming for its second season is just getting under way.
How do I know? Because, on my way home yesterday, I spotted a chap tying up temporary road signs for the benefit of lost Being Human crew members. They’re bright pink, so you can’t really miss them.
These particular signs are on Bedminster Bridge. “BH LOC” is pointing towards Bristol General Hospital, one of their main shooting locations. “BH BASE” is pointing, presumably, towards the expanse of waste ground waiting to be developed between Cumberland Road and the new museum: that’s where the shoot’s trailers all parked up when they were shooting the previous series, so I assume that’s where they are now.
In which something in the neighbourhood has changed
Not long after we moved here, we started to notice one particular car that was often parked in the neighbourhood. We noticed it because it had distinctive stickers in the back window. On the nearside, “Born-again Pagan!”. On the offside: “Bondage. It’s knot for everyone!” We’ve seen it again many many times since then, and speculated as to who would own a car with stickers like that; but we’ve never seen it moving. An aging hippyish type? A purple-haired couple? All sorts of stereotypes floated up into our heads.
The other day, though, we saw something that shocked us to the core. The car was there, again. The “Born-again Pagan!” sticker is still there, blue on white. The bondage sticker, though, has gone. Gone, with just a mark left behind. Never mind the driver or the owner: the missing sticker has really set our minds racing. What has happened to it? Is the owner worried what the neighbours might think? Have they decided to keep their sex lives to themselves? Have they lost their sense of humour? Did a couple split up, one take the car, the other take the sticker? Did it dissolve in the rain? There are myriad possibilities. I’m tempted to leave a note under the windscreen wipers asking the owner to get in touch.