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Symbolic Forest

A homage to loading screens.

Blog : Posts tagged with ‘Southville’

The art of walking

In which we look around other people's houses and other people's art

As I said last week, I’ve been planning to write something about this year’s Southbank Bristol Arts Trail. Because, well, it’s a local event, a local grassroots event, and the sort of thing that more people should know about.

The idea, if you’ve not come across it before, is: local artists either open up their homes, or exhibit in local community spaces, studios, workshops and so on. The rest of the local community spend the weekend rambling around the area, getting slightly lost, hunting down these little artistic spaces and finding out what’s inside. I’m not entirely sure I’d want to open my house up, because if we did, we wouldn’t get any chance to go and investigate anyone else’s place. That’s half the fun of it. That, and poking around strange, unexpected corners of the neighbourhood. I’d never thought that the back of North Street can be so rural: but turning the corner of Sydney St mid-afternoon, we surprised a startled-looking fox, who had been trying to quietly plot a route into a henhouse.

There are so many places on the trail – 54 venues, most of which we managed to reach over the course of the weekend – that it is tricky just to summarise all of the ones we saw. But I’ll try: there was stained glass at the Southville Glass Studio, photography at the Spanish bar just by it; a First Crush Wall on Ashton Gate Terrace; pottery and photography in a B&B on Green Bank Road;* various artists and furniture at the ambulance station on Raleigh Road;** seascapes painted by someone called Shirley Gosling who has an impressively-decorated house; a set of prints by a group of designers, and a DJ in their kitchen; Terry Williams, who I’ve already mentioned; bedroom music in Rachael Dadd’s house on Birch Road; decorated china on Hamilton Road; interesting bird prints on Leighton Road; tiles and various other things further along the street; some pretty handmade jewellery on Beauley Road; an intriguing and bloody installation piece above the reclamation yard on Park Road;*** some excellent screen prints on Howard Road; too much to mention at the Southville Centre; a variety of art and sculpture in a flat on Stackpool Road; typographical artwork on Greville Road; free happiness to take home on Mount Pleasant Terrace; pottery and photography in a garage further along the street; are you still reading?; close-up abstract photography in a flat on North Street; a variety of things including photography, live pottery and well-known printmaker Lucie Sheridan at the old pickle factory that’s now a bed factory on Braunton Road; drawings on South Street; illustration on Agate Street; a delightful little sculpture garden tucked away on North Street; live printmaking of seascapes on Chessel Street; landscape paintings all the way down on Thanet Road; stuffed toys on Aubrey Road; an illustrator whose work I’m sure I recognised on the opposite side of the street; an empty house with “NO ART THIS YEAR, MAYBE NEXT YEAR” in the window on Balfour Road; and a variety of art and things on Truro Road. And breathe. If you read all the way through that, well done. Personally, I recommend spacing it out over a weekend.

At some point I will go back over all that and fill it out with links. It demonstrates, though, what a variety of creativity and artwork there is in a relatively small part of this city, not to mention what a variety of homes people have.**** And, too, it makes me think: “why aren’t we doing more of that?” I’m sure we could, if we were willing to stay in and show other people our home, instead of going out and looking at everyone else’s.

* Confusing geography moment: I discovered Bristol has a Greenbank Road and a Green Bank Road, nowhere near each other.

** Including some nature photography, an artist who had published a book about his leukaemia, and some rather homoerotic studies of men in showers. None of whose names I can remember: this is why I should write my blog posts straight away.

*** Not just in the attic space above the reclamation yard, either; it continued down the stairs and out into the street.

**** I was particularly impressed with one artist who had a copy of McDermott & Clinker’s classic History Of The Great Western Railway on their bookshelves.

You can tell you're British when...

In which we clear up odds and ends

… you start talking about the weather.

Some springtime might be nice. Instead, it’s been getting colder and damper and colder and damper. We’d turned the heating off to save a bit of gas; and were very reluctant to turn it back on, especially given the capricious nature of British Gas’s billing system.* It had to be done, though, otherwise the house probably would have started to sag into a mineshaft, or something along those lines. At least today things seem a bit brighter.

A web search that came in yesterday – terry williams artist bristol birch road – reminded me that I’ve been meaning to write about another recent event we attended, the Southbank Bristol Arts Trail, tramping the streets of Bedminster and Southville – in the damp, of course – visiting artists’ houses and viewing their art. As we did last year, in fact; and, like last year, we went to look at Terry Williams’ art in his home on Birch Road. His paintings aren’t the sort of artwork we’d want to buy for our own walls, but he’s clearly an accomplished artist; my favourite painting by him was a large canvas titled “Birnbeck Pier By Night”. Largely black, the spidery lines of the semi-disused pier-bridge** were marked out more by texture than by colour. I will write more about the arts trail, as soon as I go through the list of venues and can recall which one in my head matches up with which description.

* It will trundle along for a while before saying “ooh, you’re hugely in credit, we’d better cut your monthly payments.” Then, a few months later, it will change to “ooh, you’re hugely in debt, better treble your monthly payments.” You’d think they’d realise that gas usage is bound to drift up and down seasonally, and compensate for that; instead, the seasonal change in the payments seems to magnify rather than even out the changes in usage.

** It’s called a pier but I’d say it’s technically a bridge, because it goes out to an island.

The Neighbourhood

In which we visit some neighbourhood artists

As summer comes in, it seems as if every weekend there’s something artistic or creative to do. Last weekend it was the Bristol Comic Con (which we missed), and the Southbank Bristol Arts Trail, which we didn’t miss; or, at least, didn’t miss all of. The Southbank Bristol Arts Trail, in short, is a weekend event where creative people around Southville throw open their doors and turn their houses and/or gardens into galleries for everyone to visit. And it was the weather for it: we toiled around the hills of Southville, trail maps in hand, all the time seeing other people doing the same.

We didn’t see all of the venues, nothing like all of them; there were 51 listed on the map, scattered over a pretty wide area. Off the top of my head, they tend to blur into each other, especially nearly a week afterwards. We definitely saw: the Wonkey House on Mount Pleasant Terrace; people from “Number 40” at, erm, 40 Mount Pleasant Terrace; textile designs* on Allington Road; paintings by Terry Williams on Birch Road; and lots of other wildly artistic open houses whose owners’ names passed me by. We finally ended up at a second house on Birch Road where we saw various bands and performers play. Rachael Dadd served us tea, and her band The Hand played, along with The Wraiths and The Fingerless Hoodlum. We relaxed in the sunshine, the warmth of the garden, and K caught a sunburn.

Like everything else, we walked home wanting to do more ourselves; wanting to create things; wanting to have things to show ourselves. There are so many local art events, I wonder how people have time to make art in-between them sometimes.** We walked home, and then straight away started planning to go out once more. Because, we’d been told: “those people over there are in a really good band, and they’re playing tonight – you should come along, you’ll love it.” That’s another story, though, for another blog post.

* some a bit like the “crochet bomb” which I keep telling you I’m making

** the next one I’m currently aware of is the Easton Arts Trail, coming up in about a month’s time

The Detail

In which we look at the detailed plans of the Guided Busway

Long-term readers will recall that, particularly last November, I’ve been covering the local guided busway developments: to whit, the West Of England Partnership, the quango which is, you could say, the haunting ghost of Avon County Council, and its plans to turn an old railway line into a private buses-only road. Sort of. Railway lines, of course, aren’t generally wide enough for that sort of thing; so they will mostly be building half a road.

Well, all has been quiet for a while; the consultation was completed, and the Partnership wrote off to the Department for Transport to say “can we have some money, please? Oh, go on.” A reader of this site, the other day, tipped me off to the fact that WEP have published their persuasions on their website. So, finally, we can read all the details which were conspicuously absent from the public consultation documents.

Firstly, there seems to be a change as to where the money is coming from. In the past, it was mooted that this application would be to the Transport Innovation Fund,* and therefore would need to have a congestion charge element to it. That’s not the case: the application is for Major Scheme Funding. So, no congestion charge: nothing is going to be done directly to reduce traffic. All we get is a new, shiny, park-and-ride service which replaces the still-shiny existing park-and-ride service, but serving Spike Island instead of Hotwells.

Secondly, it includes documentation on service frequencies. And half of the buses using the route won’t be the shiny new “Rapid Transit” buses; they’ll be the same old buses to Weston and Nailsea that already exist. Another thing which isn’t going to make the guided busway scheme any friends: it’s being marketed to the government as the first stage of a Rapid Transit Network, in which it becomes the Ashton Vale-Emerson’s Green route. In other words, the old let’s-pave-over-the-Railway-Path scheme which attracted large amounts of protest.

One of the most interesting bits, though, is the detailed plan of the new route. We learn, for example, that the rather worn and tired old swing bridge across the New Cut is to be “refurbished” – it sounds cheaper, after all – with a new footbridge alongside it. The small Butterfly Junction nature reserve is to be flattened and paved over – it isn’t even marked on the maps – and the Bristol Harbour Railway’s stop there is to be replaced by a new one.

Plan of guided busway at Butterfly Junction

The Bristol Harbour Railway is where it gets most silly. The plans finally confirm what was hinted at in the consultation: it is to be turned into a tramway, with buses running on top of it. According to the bid documents:

The tracks for the heritage railway will be retained to provide for seasonal Sunday services and events such as the Harbourside Festival. When these infrequent events occur, services will run on Cumberland Road.

In other words, trains on the Harbour Railway will run on about half as many days as they do now, and along a tramway, which doesn’t quite tally with what my local councillor has told me in the past. As the railway is only just wide enough for one bus, one bus there will be; outbound buses will run along the road all the time, not just on Sundays. To squeeze under Cumberland Road and keep the cycle path, the busway will be narrowed to a single-track road/tramway with traffic lights.

One of the vaguest parts of the consultation documents was: what happens at Prince St Bridge, which isn’t currently strong enough and probably not wide enough to take buses. The consultation map was hard to read; the Evening Post reported that there would be a new bridge. Some people suspected that the current “trial” arrangement of having cars on one side of the bridge and pedestrians on the other was a taste of things to come, ready for the guided bus scheme. Well, it turns out they were right.

Guided bus plan for Prince St Bridge

Red in that diagram means “bus lane”. Prince St Bridge will be closed to cars; with this scheme, it will be divided between pedestrians on one carriageway, and buses and cyclists on the other. Instead of cyclists being able to run into pedestrians whilst dodging opposing traffic, as now, they’ll be able to get flattened by buses instead. It’s also quite hard to work out how much money has been set aside for Prince St Bridge works, because the costs aren’t itemised very clearly – indeed, the surveyors who reviewed the WEP costings also had trouble on that point.

I don’t think the busway scheme is going to go ahead. That’s partly because the funding bid includes a convenient “low cost alternative” scheme. It is, essentially, the same scheme, same nice new buses, new bus stops, but using the existing park-and-ride route with no new infrastructure. The funding bid says:

A key element of the [Low Cost Alternative] route is the avoidance of the main bridge structures at Ashton Avenue and Prince Street … in order to reduce the construction costs.

The infrastructure will, they say, halve travel times along the park-and-ride route. Whether the Department for Transport think that that will make it worth the money remains to be seen. I’m not convinced they’re going to go for it. In a few months, though, we will all find out.

* as you can see from this Joint Transport Forum presentation released under FOI. Thanks to correspondant Gareth for pointing me to that URL.