In which things are squared, and vintage.
Back in August, I talked about photo framing, and the use of square frames. In fact, if you’re viewing this on the main page, there’s a good chance it’s down below somewhere, I’ve been writing so few posts lately. In essence: nowadays you get a rectangular photo, and it’s very, very easy to crop your photo to whatever aspect ratio you like. Back in the day, you got a square photo,* and if you wanted to crop it you had to take a guillotine to your print.
I’ve been trying for a while to be more disciplined with my aspect ratios, and either keep all my shots to the same aspect ratio as the camera uses,** or crop them to square. And, moreover, I’ve had the vintage cameras out. Back in August, I posted a test shot I took to check exposure. Today: the actual shot I was trying to take!
This was taken on an Ensign Selfix 420. The one big problem I have with it: getting the camera straight. It has two viewfinders: a glassless frame finder on the body, and a small brilliant finder attached to the lens. The former doesn’t really tell you if you’re pointing it in the right direction, and the latter is too small to see if you’ve got it properly upright. The light leak, on the other hand, I rather like; it’s only noticeable in bright sunlight in any case.
* Bear in mind that right through the 1950s 35mm cameras were a relatively rare thing, and the majority of the photo market used 6cm film such as the 120 format. It wasn’t until the 60s that the 35mm camera really started to take over the market, even though they had been around earlier.
** 121:81, in case you were wondering.
In which things are squared
Hot weather is not very nice. How people manage with it, never mind enjoy it, I’ll never know. The brightness of the sunlight is something; but even then, winter sunshine is much better for photography. Midsummer sunshine, in the middle of a clear-skies day, is just that bit too harsh.
Recently, our burgeoning vintage camera collection has made me reassess the use of square photos. They’ve often been a bit of an unpopular photography style, seen as a bit awkward, a bit ungainly, and hard to make interesting. Generally, I suppose this is all down to even numbers: they make it rather harder to make a composition interesting, and a square frame is as even-numbered as you can get. With lots of 120-film cameras, though, you don’t get a choice: square or nothing.
This photo started out as a test shot for one of the 120 cameras. So far the film in question hasn’t left the camera, so I’ve no idea how successful it was. As a digital photo, cropped down to square, I think it works rather well, though. Despite the sunshine.
Update, October: the 120-version of this shot is now out of the camera and back from the processors, complete with some interesting light leaks which make me worry there might be a hole in the camera’s bellows. I will have to try to get it scanned some time.
Update, November: well, I scanned it, and it is in my queue of things to upload to the internets. Which might happen some time this year.
In which we go to the seaside
By the time you read this, we will be in internet-connection limbo. The broadband will be down for a few days. No up-to-the-minute topical blogposts. No uploading photos, although, as I’m on a several-months backlog as per usual, nobody is likely to notice.
So, here’s something that’s easy to write in advance. Photo Post Of The Week. Beside the sea side, beside the sea.
In which we visit east Bristol, and Clevedon
A month or so ago, we took a trip to Clevedon, Somerset. I wrote about it at the time, although, I realise now, didn’t actually say which town we’d been to. Here, though, are some of the photographs.
And, as that’s not very many, here’s some of Bristol just after Christmas, too:
In which we go to the seaside
We should be banned from second-hand bookshops. They’re far too tempting. Even though we have hundreds of books, many many books we’ve never read, we still can’t resist popping into a second-hand bookshop and buying more. It’s not like going in a normal bookshop, where you have a good chance the same books will be on the shelf the following week. If you’re in a town you don’t know, and you visit a second-hand bookshop, there’s a good chance you might come across a book that you’ll never, ever see again anywhere else.
All this is making us sound very middle-aged. A weekend out for us: tea rooms and second-hand bookshops. It makes us sound like fifty-somethings. Oh well.
We’re still trying to find the Ideal Seaside Town, you see. So we went out on Saturday, to a potential one, and found a quiet (but windy) prom, a quiet (but very windy pier), a nice second-hand bookshop and a shortage of tea rooms. We did find more books for our library, though, squeezing into the bookshop. “Sorry about all the boxes everywhere”, said the proprietor. “You can’t get to all of our shelves at the moment”. Which is no doubt a good thing, because otherwise we’d only have bought more than we did.
On the pier, we got chatting to some fishermen who were leaning back and waiting for a bite. “You look a bit like Cliff Richard,” one of them said. Unfortunately I didn’t have a seagull on my head at the time, so there goes that joke. I can’t see the resemblance myself.
In which we go to Cornwall
Not only have I been behind on updating this site, I’ve been getting behind on posting photos online. I generally stick to posting 6 to 8 photos per day, partly because uploading them is such a slow and tedious job that I can’t be bothered doing any more. This, however, means that I’m still only at the start of posting photos of our summer camping trip, down to Cornwall. That was: August. It’s now: November. That’s some delay. Here, though, are some examples, of hot, sunny, summer Cornish weather.
In which we visit London
Or, photo-post of the week.
I had to go out shopping for new trainers on Sunday. I took the camera along too, though, which meant I went on a bit of a detour.
I like the third one best – the thumbnail doesn’t do it justice.