Photo post of the year
A random selection
As the calendar year is drawing to a close, and Yuletide is slowly coming to an end, here’s a selection of random photos from 2022 that I don’t think I’ve posted anywhere previously.
A homage to loading screens.
A random selection
As the calendar year is drawing to a close, and Yuletide is slowly coming to an end, here’s a selection of random photos from 2022 that I don’t think I’ve posted anywhere previously.
Some more digital archaeology
I mentioned in Saturday’s post that I’ve recently been pulling data off a hard disk I haven’t touched for more years than I care to think about, and saving the things that are worth saving. The original text of my degree dissertation, for example, which I thought I’d lost, and more than one terrible short story. Photos that are even older, that I’d had scanned in for one reason and another. I thought it might be worth sharing a few bits and pieces here.
A visit to an iconic place
A trip away last weekend, to what is arguably one of the most iconic sites in British, or at least Anglo-Saxon, archaeology. It’s been famous since the 1930s, there have been TV series made about it, and it has shaped the way we see Anglo-Saxon Britain ever since. The site I’m talking about is: Sutton Hoo.
Or, photo post of the week by another name
I was asked the other day to provide a photo of The Children for a family project. Nothing difficult, nothing complicated, just a photo of the two of them, together, both looking at the camera, such as you might want to put on your wall. So I spent a while one evening going through all the photos I’ve taken since the start of 2020, and did I find a single photo that matches that description? Just one with both of them in it, looking at the camera, not pulling a daft face? Not one. Zero. Nil.
Or, photo post of the week
As it is such a lovely, sunny, bright and winter day, we went out for a walk, for a picnic on Troopers Hill. The lumpy, bumpy and steep slope overlooking the Avon, crowned with a rough and slightly wonky chimney. It was busyish, not crowded, but full of groups of families, walking dogs, eating picnics and flying kites. We sat and ate our food, tried to look at the view without squinting, and watched buzzards hovering and circling over the woods.
On myth, poetry, and all that
When I first moved down to South-West England, I was intrigued to note that one of the major local commercial property firms, their boards decorating every half-empty high street, was called Alder King. No doubt this is because at some point in the distant past Mr Alder and Mr King got together to form a business (their website is sadly unhelpful on the subject), but in my own private imagination I liked to think that their founder was deliberately trying to invoke a mythical archetype, implying that the cycle of closure, vacancy and opening on the High Street echoed the ancient cycle of death, sacrifice and rebirth, the brief but spiritually charged reign of the sacred king destroyed by the Great Goddess as described by James Frazer and popularised by one of the twentieth century’s best-known English-language poets. No doubt that poet, if he had lived to the 2010s and had seen Alder King’s advertising boards himself, would have thought the same. Rather, he would not just have thought “that’s an amusing coincidence of naming,” as I did: he would have thought it yet more evidence that all of his theories about mythology and prehistory were incontrovertibly, emotionally and poetically true, and that anyone who disagreed with him was probably a contemptible writer-of-prose or Apollonian poetaster with a degree from Cambridge. At least, I assume that’s what he would have thought. I’ve never managed to finish reading his book on the subject, and I’ve threatened to write a blog post about it more than once in the distant past. Today’s Book I Haven’t Read is, as you potentially have already guessed from this introduction, The White Goddess by Robert Graves.
Or, the perils of trusting a map
Semi-regular readers might remember that, about a month ago, I posted about Greenbank Cemetery and its history, and looked at the available historic maps online to track its growth through the late nineteenth and early twentieth centuries. This weekend I went back to Greenbank for the first time since I wrote that post, partly for the autumnal atmosphere and partly to see how much evidence is visible on the ground for the different phases of growth I identified on the maps.
Neu, es i fwyta pysgod a sglodion
Sunday: a trip out to Stanton Drew stone circles. They are a mysterious and imposing group, relatively little-investigated and therefore with little certainty about them. The Great Circle, second in size only to Avebury, appears to be the remains of a complex henge monument containing multiple concentric circles of wooden posts and an avenue down to the nearby river: rather like Woodhenge, if you know it. The precise date or sequencing, though, is very unclear; it is almost certainly at least four thousand years old, possibly five thousand or more, a range of timescales which in the modern day would easily encompass both a medieval cathedral and the latest office blocks with a huge amount of room to spare.
In which your author becomes a rather paranoid architectural historian
In field archaeology, there’s a subtle process that field workers undergo called “getting your eye in”. A plain brown swathe of earth, after a few hours’ work, becomes suddenly a complex landscape of shade and texture. A mass of tumbled stone becomes a distinct sequence of structural building and collapse. All of a sudden, the things on the ground start to make sense.
In which we finally finish talking about Tudor Parfitt and the Ark of the Covenant
Series of posts, on here, always seem to take me longer to write than I had planned. It’s now, ooh, at least six weeks since I wrote the first post in this series, so I really should tidy it up and finish it off. For people who aren’t regular readers: some time ago, a Jewish Studies professor called Tudor Parfitt made a documentary about the lost Ark of the Covenant, the Biblical artefact which starred in Raiders of the Lost Ark, which in reality has been missing for well over 2 millennia. Professor Parfitt’s theory is that, although the original ark is probably long destroyed, it passed into east Africa, into the possession of a Jewish tribe there called the Lemba, and that its replacement is a war drum now sitting in storage in an Harare museum. Feel free to go back and read what I’ve written so far, if you’re a new reader.
In which we return to Tudor Parfitt, the Ark of the Covenant, and consider how archaeology has changed
About time I finished off writing about SOAS Modern Jewish Studies professor Tudor Parfitt, and his rather dodgy theory, shown on TV in his documentary The Quest For The Lost Ark, that the Biblical Ark Of The Covenant was not the ark that is biblically described, but was in fact a drum; that it was taken to Africa, survived in the possession of a Jewish tribe there, and that its final version is now in storage in an Harare museum. Which might make more sense if you read the previous posts I’ve written about it: part one, and part two.
In which we describe Portishead
Another lazy weekend this weekend. Wanting to get out of the house, though, we took a trip to Portishead.
In which we discuss lost relics once more
Time to return to Tudor Parfitt‘s documentary The Quest For The Lost Ark, which I started to discuss last week. A brief recap: Prof. Parfitt has discovered, in a museum in Harare, a 14th-century southern African war drum whose descent can, arguably, be traced back to the Biblical Ark of the Covenant, as described in Raiders Of The Lost Ark Exodus:
In which we make better documentaries
We sat down last night to watch one of the Christmas present DVDs: Arrested Development Season 3. It got me thinking, after yesterday’s post, about pseudo-archaeological documentaries.
In which we go in search of lost relics
In our attempt to make sure we didn’t do anything too romantic on Saturday, we stayed in and watched an archaeology documentary on the telly. Or, at least, it said it was an archaeology documentary. It quickly veered off towards pseudoarchaeology, and stayed there.
In which we have history in words, and archaeology in pictures
Over on the bookshelves – but not the bookshelf I talked about the othe day – is an interesting little local book by an artist called Cleo Broda. It’s called Symes Avenue: Building On The Past, and it’s about the rebuilding of the centre of Hartcliffe, and the ways in which public art was involved in the rebuilding; particularly, community art which celebrates the area’s history.*
In which we muse what book to abandon reading next
Getting this website going again, and posting things regularly, I was thinking that maybe I should resurrect Books I Haven’t Read, an ongoing series of posts in which I reviewed books that I hadn’t managed to finish reading, and briefly discussed why. This was on the grounds that reviews of bad books are often more interesting than reviews of good books;* many book reviewers probably get away without reading the whole thing; and if I’m going to talk about something, I may as well be honest about whether I’ve read it or not. Hence, Books I Haven’t Read, which annoyed at least one author who discovered it and couldn’t resist responding.**
In which we get pessimistic about self-expression
Have spent today on a wild goose chase around the county. In one sense: a bad thing, because nothing productive at all got done. In another: a good thing, noone could bother me,* so I had some time to think to myself, and plot things. I started writing a film treatment in my head; the challenge will be to get it on paper in some way that resembles my mind’s-eye view. Which is hard. It reminds me of a passage on writing by Tibor Fischer:
In which we bear bad news
Breaking bad news to people is always hard to do. Even if it’s something as mundane as a dead computer. I took a quick look at a machine one of the staff had brought in from home, in my lunch break; it’s vitally important she gets it working again, apparently, because it’s got all her daughter’s schoolwork on it, and they have to have a computer now to do all their assignments on.* It only needed a quick look to show that it’s not coming back to life. Its hard disk is almost certainly now a former hard disk, with no hope of getting her homework back.** But how do I tell her?
In which we’re puzzled over Tintagel and an archaeological definition
If you looked at yesterday’s photos of Tintagel, and read all the tooltip captions and the post tags, you might have noticed that I described one of them as showing a souterrain; or, at least, a souterrain-ish thing. Noone, as far as I know, calls it a souterrain; and I’m not entirely sure why.
In which we visit Cornwall
This June was originally going to be Photo Month on this site, given the oodles of photos I took on holiday. Unfortunately, I took so many photos on holiday,* I still haven’t managed to sort through them all yet.
In which we know where the bodies aren’t buried
Archaeology news story of the week: British pagans have decided that archaeologist should hand prehistoric skeletons over to them for reburial. Which is, of course, a silly idea, and one that a lot of archaeologists have a problem with.
In which the ancient Greeks can calculate
In the news recently: the Antikythera Mechanism, a cunning ancient device which, it turns out, could predict planetary positions and eclipses. It was first discovered around a hundred years ago, but it has always been little-known. Partly, I’m sure, because of the domination of Greek archaeology by classisists and historians. The Antikythera mechanism is unique, and its purpose unclear without careful analysis, so it’s not too surprising that for most of the time since its discovery it lurked, little-known, in an Athens museum.
In which we fail to read “Snow Crash” by Neal Stephenson
As I said last time this series popped up, it was originally supposed to be a bit more regular than this. This entry, too, feels slightly like I’m repeating what I’ve said before. Not only is it a science fiction book like the last one, it’s by an author who has cropped up previously. Today’s Book I Haven’t Read is Snow Crash by Neal Stephenson.
Or, myths of the literal and the figurative
(read part one here)