The latest crafting project was finished last week, after just over seven weeks of work. I was surprised how quickly I finished it, to be honest, considering how much more difficult it was compared to the previous cross-stitch project. I say “finished”: it still needs blocking and framing, which is always going to be the least interesting job in a project like this. Because I’m fairly pleased with how it looks, there’s a larger picture if you click through.
I’ve already started the next cross-stitch project, which is going to be a much, much easier one; I will actually start a different series of posts for it this time. After only a week or so, it’s already well under way. At some point, too, I’ll pick up all those other projects that have been ongoing since some time last year.
The other posts in this series are part four, part five, part six and part seven.
We’re a couple of weeks on from the previous post, so it’s time for another update on my current cross-stitch project. This weekend just past, I finished off the last of the cross-stitch itself on this project. Now, I just have the back stitch to do.
The back stitch that makes up the border (and the lettering at the bottom) will be nice and straightforwards; the back stitch that provides the veining on the wings is going to be rather harder, as it’s in a dark brown thread that doesn’t stand out very well at all against the fabric. By the time of the next update, I suspect I’ll be getting somewhat frustrated.
The previous parts in this series were part four, part five and part six. The final part is part eight.
In lieu of a more informative post—I’m in the middle of researching something in-depth and historical, but everyday life and tiredness keep getting in the way—here’s an update on the current cross-stitch project, a couple of weeks on from the previous one.
As I’ve gone through it I’ve been leaving aside all the bits that feel as if they would be awkward and fiddly; but now, it feels as if there’s nothing but awkward fiddly bits left. It feels as if progress has slowed down because the overall outline hasn’t changed much; but there are an awful lot of colours now which I’m fairly sure I’ve completely ticked off the list.
The previous parts in this series were part four and part five. The next parts in this series are part seven and part eight.
As I haven’t been posting very often here recently, it feels as if I can’t publish too many posts showing small, gradual amounts of progress on the latest cross-stitch project, the start of which I showed a couple of weeks ago when the previous cross-stitch project was finished. If I post every day, it seems reasonable enough to post the same craft project once per week. If I post twice a week, it seems a bit much for fifty percent of those posts to be about small quanta of progress on the same thing.
Nevertheless, after two weeks, I feel I’ve done enough for it to be worth showing off. For one thing, you can actually recognise what it is now.
The kit comes with patterns to write the name of the species (Bombus terrestris, or the buff-tailed bumblebee) in Latin, and also in Dutch, English, German, French, Spanish or Italian, I think. I’m tempted to do it in Latin and Dutch, and if there’s enough thread left and enough letters to piece it together, in Welsh (“bili bomen”, and if I’ve got this right, a full literal translation of “buff-tailed bumblebee” would be “bili bomen colyn llebliw”).
The previous part in this series was here. The later parts are part six, part seven and part eight.
Regular readers will know that for the past couple of months I’ve slowly been working on some cross-stitch. Today, it was complete; it feels like much longer than a couple of months.
Shocking news, I know, the idea that I’ve actually completed a crafting project for once—at least if you ignore that it still needs washing, blocking and framing.
I’ve already moved on and started my next cross-stitch project. However, it’s something of a step-change in difficulty.
Instead of cream 14-count fabric, this is black 18-count fabric, with lots of dark brown stitching to do on it. The squinting is already giving me a headache.
The previous posts in this series are part one, part two, and part three.
The other posts in the new series are part five, part six, part seven and part eight.
The post-house-move unpacking has reached the point now that most of the day-to-day things are all unpacked and sorted out. That doesn’t include all of the various bits of hobby equipment, but it does include the cross-stitch project that I’ve posted about a couple of times previously. Indeed, this weekend I reached the point that all of the cross-stitching itself was done.
Hopefully you can tell what is it now: a group of Norman soldiers in the style of the Bayeaux Tapestry. If the pattern still looks a bit sketchy and incomplete in parts, that’s because this kit also includes a rather large amount of backstitch, particularly backstitched chain mail. We could be here some time. Still, I’ve made a start at least.
So far it looks a bit neater than I was worried it might.
The other posts in this series are part one, part two and part four.
There are lots of ideas I’ve had for things to write on this blog, that are slowly building up, and that I haven’t written about—in fact, I’ve added two more whilst drafting this paragraph in my head. They all involve lots of effort, though, lots of planning and drafting and assembling ideas; and right now all my energy is being taken up by work and by various other things. So when I sit down in an evening, I don’t have enough process space left in my head to write anything in-depth on here. Instead, I’ve just been getting out the cross-stitch project I wrote about last week, because it’s nice and easy to get it out of its back and sit on the sofa methodically counting and sewing and counting and sewing.
Last time, I said I’d let you guess what it might be, when it was basically nothing more than a blue banana shape. Now, if you ask me, I think it’s much much more obvious.
However, I’ve spent hours poring carefully over the pattern that came in the kit, planning which part to work on next and double-checking I’ve put all the stitches in the right place. To me, it’s inconceivable anyone wouldn’t be able to recognise what it is, but I’m rather biased.
The other posts in this series are part one, part three and part four.
Attentive regular readers might remember that in the lead-up to Yuletide, our office held a Christmas Craftalong, in which everyone who was interested got together in a remote meeting and did the same small cross-stitch kit together. After I’d finished it, I said:
Will I go on to do more cross-stitch? Well, it was a fun way to spend a few evenings. Maybe if I can find some more kits
that aren’t irredeemably twee, I might do.
It didn’t take me long, really, before I was on the internet searching for cross-stitch kits or just patterns that I’d be happy to put up on the wall when finished. However, a few weeks later, everything has arrived and I’ve been able to make a start.
I won’t say what it is for now, although you’re welcome to try and guess. The design, when it arrived, suddenly looked much bigger than it did on-screen, so this might take me a little bit longer to finish than the Christmas robin did.
The other posts in this series are part two, part three and part four.
The other day I mentioned a Christmas social event at the office: an organised crafting event for any colleagues who were interested to do a small cross-stitch kit together. Amazingly, in just over a week, I’ve managed to finish it. I would say that’s a personal record at finishing some sort of craft project for me, but it’s rare enough for me to complete one at all.
Personally I think it’s a bit scrappy; I can see lots of uneven and slightly wonky stitching, whole patches where the threads are making strange knots insted of neat crosses.
Moreover, if you compare this to the previous “in progress” picture, you can see I did get annoyed enough to go back and redo an entire section. Misunderstanding the instructions and the nature of the thread, when I started I started off stitching the red breast with only a single thread, not doubling the thread up as I was supposed to—my excuse is that each of the “single threads” are actually spun from two threads twisted together. Unpicking all the red also involved accidentally unpicking some of the orange too, so if you know where to look you can see a few places where stuff has been redone a few times.
Will I go on to do more cross-stitch? Well, it was a fun way to spend a few evenings. Maybe if I can find some more kits that aren’t irredeemably twee, I might do.
The other day I mentioned losing the Office Party and gaining various remote seasonal events instead. For example: someone thought it would be a nice idea to all have a seasonal crafting session together. Everyone who volunteered an interest was sent a small-but-festive cross-stitch kit, and then we spent a lunchtime getting together on a video call to sit and stitch for an hour, whilst the organiser explained how to get started and the rest of us found various ways to make mistakes.
Full marks if you can spot everything I’ve got wrong so far. This represents quite a bit more than one hour’s work, because I’ve spent a while working on it since. You never know, I might even get it finished before Christmas.