Sound and music
In which we go to see The Boy Least Likely To
As soon as we get home, we’re out again. To a gig, at the Louisiana, to see The Boy Least Likely To, hard at work promoting their new album that’s just been released. We were slightly confused when we arrived, to see that according to the posters the gig was on Monday, March 24th, and we’d turned up on a Tuesday. After checking our calendars, we went in. Inside, there’s not much room in the Louisiana. It’s quite a cosy place, so cosy that we quickly spotted that a good chunk of the pub was taken up by support band The School tucking into their tea.
The first band that came on were The Fox And The Bramble, an electric/acoustic duo who dashed about the stage swapping instruments, and made slightly-twee twinkly sounds with children’s toys. I spent a while wondering which one was Fox and which Bramble; the internet says the name comes from Aesop, though.
They were followed by The School, as I mentioned. We’ve seen The School before, so we knew what to expect; but we were slightly disappointed. They didn’t seem as good as they did in November. The sound didn’t seem to be mixed quite right, with keyboard and vocals overpowering the rest of the band.
The Boy Least Likely To had sound troubles of their own. “Violin isn’t plugged in,” one of them shouted, after the first song. “Too much violin,” he shouted after the second. They are apparently only a duo normally, but on-stage they mysteriously expand to a full band, like one of those toys for dropping in water. I have to admit to not knowing very much about them; but the gig left me wanting to find out more. Their frontman smiled broadly, and flicked balloons back and forth with the audience in a genial way, never missing a beat.