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Symbolic Forest

A homage to loading screens.

Blog : Page 57

Aging on the balcony

In which we are the oldest people in the audience

Mike Troubled Diva recently wrote about how it feels to be middle-aged at gigs, and suchlike. I’m not middle-aged yet, but I know how he feels, because on Saturday night I went to my first gig in ages, at Leeds Met SU. It felt like: I was the only one there over 25.

We hid up on the balcony, with a small crowd of other late-20s people, and watched. Sometimes I wasn’t watching the band as much as I was watching the frenetic crowd, moshing away. They were here to see a local band, Hadouken!,* who (if you believe the NME) are part of the New Rave scene. Personally, I think the NME is only ever interested in puns on “New Wave”, but there you go.** I might not believe in the existence of New Rave as a genre myself, but the crowd definitely seemed to. The crowd of 17 year olds were wearing outfits last seen in 1989, and covered themselves in heavy trees of glowsticks. After a few minutes they started to get bored,*** and threw them all at the stage; or broke them open to drip and spray each other with luminous toxic goop.

The band themselves: well, they were energetic. Rapping with guitars, and very very loud. It definitely got me bouncing; but when my own attention span occasionally started to fade, I began to wonder: does “rapping with guitars” really deserve its own genre name? And whatever did happen to Baxendale, anyway? But then, I started bouncing again.

* the exclamation mark is part of the name, I think.

** Hands up who remembers the NWONW scene!

*** “I don’t know, kids today, no attention span at all…”

Domestic

In which I'm is baffled by foreign manuals

Well, the new kitchen is just about finished, apart from a few little bits of pelmet and so on. The only problem is: working out how to operate it all. The hob, the oven, the microwave, all have lots of buttons and switches and dials, but I’ve no idea how exactly it all fits together, what works what. The manuals aren’t much help, either, as they seem to be largely in German. I was planning lots of baking when everything got sorted out – it might have to wait until I’ve remembered where I last saw my English-German dictionary. Ah, well, I suppose that means I have time to sort out my day-by-day photos of the kitchen being rebuilt.

Interconnectedness

In which we consider the perils of an updated adaptation

When I was in my early teens, one of my favourite books – even though I didn’t really understand half of the plot at the time – was Dirk Gently’s Holistic Detective Agency, by Douglas Adams. With a plot which was cobbled together from two separate Doctor Who stories, and which relies on the works of a poet I’ve never even read, it can be a little tricky to understand.* When I heard that it was going to be on Radio 4, I had to listen, purely to see if it was adaptable at all.

They haven’t done badly so far, to be honest, although the plot has been twisted round in various ways that, with one episode to go, don’t quite make sense yet. On the other hand, they haven’t quite pulled off updating the story to the present day – some parts would have been much better as a 1980s period piece.** And they did leave in at least half of my favourite joke.***

This isn’t meant to be a critique of the series, though, especially as it still has one episode to go. This is something I’ve spotted, which Radio 4 have been quiet about so far. Radio 4 are also going to dramatise the other Dirk Gently novel.

There’s a small clue on their website: it refers to DGHDA as the “first series”. Really, it’s a standalone book – the only characters apart from Dirk who pop up in the other book, The Long Dark Teatime Of The Soul, are Miss Pearce and Sgt Gilks. What makes it so obvious, though, is that quite apart from the plot-based changes, the producers of the current radio series have made other changes to DGHDA, adding references to tLDTotS to link the two books together. I’m also pretty sure they’re going to change tLDTotS to add in characters from the first book, too, to try and present them as a cohesive pair.

Whether this will work or not is another matter. Bookwise, The Long Dark Teatime Of The Soul is rather patchier and had more plot holes than Dirk Gently; although one of the things they both have in common is that small asides, or scenes which appear to be a quick joke, can turn out to be an important plot point later on.**** I’m enjoying the radio Dirk Gently so far, but I’m not completely convinced, and I don’t know why its adapters thought they had to do more to link the books together. Maybe I should write to them and ask.

* Particularly, you have to know that Coleridge’s Kubla Khan is, as far as poems go, pretty short. Wikipedia has a very thorough and spoiler-filled plot summary, which explains most of the trickier bits.

** How many people still use tape-based answering machines, instead of voicemail? How many people still refer to “car phones”? A story with a plot revolving around people leaving messages on answering machines, and stealing answering-machine tapes, doesn’t really make sense if you move it forward twenty years

*** “There’s no such word as herring in my dictionary!” Unfortunately, unless I wasn’t listening properly, they missed out the setup line which comes many scenes earlier.

**** At the start of Long Dark Teatime Of The Soul, Dirk had recently set up work as a fortune-teller, in drag, to get some cash in – but gave it up when everything he said, however outlandish, came true. It seems like a throwaway comic scene, at first – but in actual fact it contains important hints to what is going on later in the book.

Whitby

In which we go goth-spotting

We walked up and down and around the town, admiring the scenery, admiring all the people and their outfits. I hadn’t dressed up myself. I don’t do dressing up. At the top of the steps to the abbey, we paused in the graveyard and watched people posing for photos, before turning and looking out over the sea, at the town disappearing into the mist. The weather was strange: dark, windy, but misty too. The town disappearing into winter.

Posing for photos

Whitby Pier

Whitby Abbey

Gravestone

Romance

In which we wonder what happened to the romance of IT

A quick news story from last week: A chap called Dr Brendan Kelly has analysed 20 random medical romance novels and spotted that they are all written to a very similar template. If you’re a romance novelist and want to bash out another, all you apparently have to do is change your characters’ names, and you’re set.

Dr Kelly noted that the heroes of these novels are generally handsome, arrogant surgeons with a traumatic past; you don’t tend to get handsome, arrogant psychiatrists popping up, for some reason. Never mind about psychiatrists, though. Where are the handsome, arrogant IT technicians? Never mind saving the lives of patients with mysterious illnesses just when you thought all was lost – where are the romance novels about data rescue and mysterious ARP caching? The world needs, clearly, an IT romance novel. I’ll let you know when I manage to get a couple of scenes down on paper.

Renovation

In which we're not looking forward to a new kitchen

Next week is going to be hell. I’m dreading it. Our kitchen – which passed its 25th birthday last winter – is being ripped out, torn up, and being replaced by something nice, new and shiny. The only problem: it’s going to take all week. The house is already in uproar, and I have no idea how we’re going to eat. Lots of dinners out next week, I think.

It’s a bit of a milestone, doing all this. I can only very faintly remember the kitchen we had before, at the old house. It had a sliding door from the dining area. Erm, that’s it. I’ve lived with the current brown cupboards, brown tiles, freezing cold green tiled floor for so long, it’s going to feel very strange living in something different. This morning, I took photos from the kitchen doorway. I’ve never taken many photos of the inside of the house, itself,* so when things do change I rarely have a proper record of them. If you want to see what our house looked like over the years, you have to look in the backgrounds and the corners. So, I took photos from the kitchen doorway, and I’m going to keep taking them next week as the old kitchen is pulled apart and the new one is built.

The mother didn’t get the point. “I don’t want you taking pictures of it and showing everybody when it’s a mess,” she said. “Wait until the new one is finished, then you can take pictures of it.” I will do. But I want pictures of it how it is now, too, because I don’t want to remember something that’s new and novel. I want to remember something that’s old, faded, and comfortable.

* except for, once, the big green Victorian mirrored ball, round, not tiled, that hangs in a corner of the dining room.

Books I definitely can't afford to read

However much I would like them

Never mind about all the books I’ve written about here, in the past, that I’ve never managed to finish reading. Now I want books I can’t even afford to read: the facsimile edition of the Knights Templar trial documents.

Going by what facsimile editions are normally like, at any rate, I’d also need new bookshelves to support the thing. As I don’t have £4000 to spare, though, it’s not a problem.* It’s slightly disappointing, too, that this would never have been headline news without Dan bloody Brown. Oh, well, maybe one day newsreaders will be interested in medieval history for its own sake. Stranger things have happened.

* although I do need new bookshelves, because I have nowhere near enough space for the books I have.

Ovines

In which we become scared of fields

“That’s two hours of my life that I’ll never get back,” said one of the women in front of us, as we left the cinema* I thought she was being slightly unfair. The film had only been 87 minutes long, after all.

Besides, I’d rather liked it. We’d been to see Black Sheep; it was, like me, rather silly; but played very straight all the way through, which is always the best sort of silliness. The implausible B-movie science was glossed over, and the actors put on their Most Serious Faces as they fought to defend themselves against mutant killer zombie sheep.** Some of the characters were caricatures, and some of the foreshadowing was very obvious indeed, but sometimes, in this film, that’s the sort of thing you want to happen.***

One thing did puzzle me: why, when all the sheep in all the fields started to become blood-crazed man-eating carnivores, did noone really seem very surprised? Now, for the hero, it’s explained: he suffers from a fear that one day sheep will do exactly that. But all the other characters also behave as if it’s a normal, everyday crisis, something they’ve been expecting all along. Maybe everyone in New Zealand is like that. Maybe everywhere though the islands, at the back of people’s minds, is the thought: one day, the sheep will start fighting back.

* “We” being, of course, me and Mystery Filmgoer as usual.

** These were Modern Biological Zombies – not dead, just rather ill; which does make them rather easier to despatch, with none of this “you must remove the head or destroy the brain” trickiness.

*** When you see a big, round, deep hole, with a sign next to it that says: “Warning: Offal Pit”, you know what’s going to happen later on.

Readers' Letters

In which the readers speak up and demand photos

Here at Symbolic Towers, we pay attention to our readers. If they send in tips, we pass them on. Mr E Shrdlu of Clacton writes…

The Plain People of the Internet: You say what? You had a letter? From a reader? Whose name is E Shrdlu? Honestly?

Me: Shush there. Be quiet and listen.

The Plain People of the Internet: If you say so. But don’t expect us to believe it.

… E Shrdlu of Clacton, who writes:

People who liked Friday’s post may be interested in…

The Plain People of the Internet: You mean, people who like long posts about the history of the London Underground? When posts like yesterday’s get a much better reader reaction? What are you thinking about?

Me: Come on there, stop interrupting. And since when have I been bothered about reader reaction, in any case?

The Plain People of the Internet: We’re only saying. Offering a tidbit ourselves, you could say.

… may be interested in the book London’s Secret Tubes by Emmerson and Beard, which goes into all that stuff. At book length.

The Plain People of the Internet: Now, we wouldn’t mind seeing photos of that beautiful Yorkshire scenery you were wittering on about. That “unutterable beauty” stuff.

Me: It was “unassuming beauty”. And I don’t have any – the car would have rolled down the hill. Carnage.

The Plain People of the Internet: My god, that’s terrible. The joke, we mean.

Me: If you’re so plural, shouldn’t that be “our god?”. The best I can do is photos of trains down in the mist-filled dale. And why shouldn’t there be real people called E Shrdlu, from Clacton?

The Plain People of the Internet: Flann O’Brien would sue, were he still alive.

Grosmont station

Grosmont yard

Inside Deviation Shed, Grosmont

Train passing Grosmont yard

On Beauty

In which we muse (a little)

That long post, it must have drained me out. I have lots of long posts to write: Indie Comic Book Of The Month, for example, or Films I’ve Seen Recently. I’ve run out of words to write them with, though.

So here’s an ink polaroid. Yesterday: the view from Egton, in Yorkshire, down into Eskdale. The road drops beneath us, out of sight, past a “25%” gradient sign; beyond is a mist-filled valley, green, pale green, rising back up to the moors again on the far side. Beyond the horizon smoke rises from heather-burning, blending into the mist. Deep in the valley, a moving line of puffing cloud marks out a train heading south. Apart from the train, nothing is moving, nothing in sight, but nevertheless it feels like a quietly active day. I’m feeling slightly nervous, partly because I’ve never put quite so much trust in my brakes before. I’m surrounded by unassuming beauty.