+++*

Symbolic Forest

A homage to loading screens.

Blog : Page 57

Recent search hits

In which we wonder what people are looking for

where do military musicians train? – at military band camp, I assume
what is healthy porn? – porn in which all the actors use plenty of fresh vegetables?
devon sandstone looks like this
meaning of “to throw a sheep at” – personally, I thought it sounded rather straightforward
memories of 1930s Herne Bay – don’t ask me, I’m too young. And I’ve never even been to Herne Bay.
victorian gothic desktop themes – I’m sure I could knock up a St Pancras Station background wallpaper or two
registry office bow road – I was at a wedding civil partnership ceremony there a while back, and it’s a very nice building. The Suffragettes used it as a meeting hall, you know
suzie dent is she married? – I don’t know, but I wouldn’t save yourself for her if that’s what you’re thinking
scary wooing noise – I personally find that wooing can make very scary noises. Although you could try:
bdsm gag – right, that’s enough of that for today.

Nationality

In which the family seem foreign

My parents are not Norwegian. They’re English, have hardly ever left England, don’t speak any languages other than English. Until last week, my mother hadn’t had a foreign holiday for 35 years, and my dad had never had one at all.

Now, often, you can look at someone, and spot their nationality. It happened to me in Paris the other month: I only had to go up to someone and say “Um … bonjour?” and I’d get: “Hello, can I help you.” Sometimes the hello came first, so I’m sure it wasn’t just the accent or the awkward pause. I’d assume that the same would apply to the parents too, as they’ve hardly ever left Britain.

But no: they set off for their first foreign holiday together after 30 years married, and they get on the ferry to Norway. They arrive at the ferry terminal in Newcastle, where you’d think the staff would be used to spotting the difference between Norwegian and English people. All of a sudden, everyone, even the English terminal staff, automatically assume they’re Norwegian. Getting on the ship, they’re being greeted: “hello … hello … hello …” – then as soon as The Mother appears on the gangplank, the greeter switches to Norwegian.* Why, she has no clue. Apparently, people from Norway, people from Newcastle, people who meet a lot of Norwegians, automatically assume my mother is one too. Strange.

(and on their return, they brought me a giant sausage. Which appears to be Danish. But that’s a blog for another day, when I’m not too lazy to get the camera out to shoot a picture of it)

* Whether Bokmål or Nynorsk, I don’t know – as the parents don’t actually know any Norwegian of either sort beyond “Does anyone know where the toilets are?” they didn’t appreciate the subtlety – never mind the subtler still differences between spoken and written languages.

An Experiment

In which we cook a frittata

Back in the days when I was a student, ten years or so ago,* I would be quite experimental in the kitchen. I’d try things out, new recipes, experimental recipes. Sometimes they worked, sometimes they didn’t, but it made things nice and varied.

I haven’t done that for a long time. My diet’s got a bit boring. So, I’ve been spurred on to try more things, try new things, try messing about in the kitchen just to see what happens.

The other week, we were in a rather nice cafe in York, near the Minster. I was rather enjoying my lunch, and I thought: it really can’t be that hard to cook this, can it? So, at home, I tried knocking a few things together. It turns out: no, it really isn’t that hard. So here’s my rough and ready recipe for: potato and mushroom fritatta.

You need:

  • 5-6 baby new potatoes
  • 7-8 closed cup mushrooms, ordinary button ones or chestnut according to taste
  • 1 shallot
  • Garlic, if you like
  • 4 very large eggs
  • A handful of mild grated cheese
  • Dried rosemary
  • Salt and pepper

What you do: chop the potatoes into halves or thirds, or smaller, and boil them for about 10 minutes or so. Finely chop the shallot, and any garlic that you’re using. Fry the shallot and garlic, with a little oil, in a non-stick omelette pan. When the shallot starts to soften, add the mushrooms. When the mushrooms have browned and shrunk a little, add the cooked potato.

Break the eggs into a bowl, whisk them, and add a dash of water, the rosemary, and the cheese. Pour the mixture onto the cooking vegetables, and stir slightly to make sure everything is evenly covered. Turn the heat down to medium-low, and cook for 10-12 minutes, until the fritatta is mostly firm, before putting it all under a medium grill for another five minutes to get the top done nicely. If your pan’s truly non-stick, then when it’s cooked it will slide out smoothly onto a plate. Ta-daa!

* Is it really that long?

The Unconnected

In which we bear bad news

Breaking bad news to people is always hard to do. Even if it’s something as mundane as a dead computer. I took a quick look at a machine one of the staff had brought in from home, in my lunch break; it’s vitally important she gets it working again, apparently, because it’s got all her daughter’s schoolwork on it, and they have to have a computer now to do all their assignments on.* It only needed a quick look to show that it’s not coming back to life. Its hard disk is almost certainly now a former hard disk, with no hope of getting her homework back.** But how do I tell her?

Latest addition to my RSS reader: Bad Archaeology. The navigation is a bit awkward, and their “latest news” page doesn’t seem to get archived, but there’s some very good stuff in there, if, like me, you would love to try poking members of the Erich von Däniken Fan Club with long pointy sticks. Their latest article is on King Arthur, as an example of what happens when you set out to prove a point, and try to use archaeology to do that. I’m tempted to write something longer about exactly that, soon.

In other news: I’ve been listening to Phoebe Kreutz lately. Her songs make me smile, and make me want to listen to more of her songs. So that has to be a good thing. Hurrah for good things!

* I’m not sure I believe that. This isn’t a rich town, and there must be many many children in the area whose parents don’t have a PC.

** A normal boot sequence halts with “Non-system disk or disk error”, which, if your other drives are all empty, is never a good sign. A Linux boot CD finds the hard disk, prints out lots of nasty disk hardware errors, and then says it can’t read the partition table. Not good, not at all.

Tourism Memories

In which we wonder whether to keep posting photos here

One thing about using my Flickr account more: it’s meant, I’ve been going through all the photos I’ve taken in the past year, going: “ooh, actually, that’s not bad.” And: “Oh, yes, I hardly mentioned that trip on the blog.”

I wonder if, with Flickr, posted photos are going to disappear a bit, into a void packed with millions of similar photos from other people. If I post them here, though, then even though far fewer people will probably see them, they’ll be easier for me to find myself. Maybe that just means I haven’t learned how to use Flickr properly yet. In the meantime: the Cornish tourist-trap village of Mevagissey, back in May.

AA road sign

Dog walkers

Fishing boat

Sleepy dog

Guerilla art

In which we talk about art and anonymity

Over the years I’ve had all sorts of plans for art projects which have never quite got off the ground. So I’ve never had to answer the question: how would I feel if I did something Artistic, which became famous all over the place, but nobody knew it was me who did it.

The local news here was full of something similar, recently. All around Yorkshire, in Goathland, Kilburn, Arthington and Braithwell, mysterious stone heads have been appearing; and some then disappearing again. Intriguing, you could say. I’m strangely attached to the idea of mysterious heads – which are reminiscent of some of the stranger stone crosses on the Yorkshire Moors – popping up in the night. Rather like crop circles, in a way.

Unfortunately, though, the mystery of the stone heads hasn’t lasted very long. Crop circles were a puzzler for a few years, back in the 1980s. The stone heads have been a mystery for a few weeks; but they’ve only stayed a mystery for a few hours now the story has hit the national news. They are apparently made by a chap called Billy Johnson. Presumably, he’s done it all for the publicity;* as he left some easily googleable clues attached to each head, it’s fairly obvious that he wanted to be found. Artists have to make money somehow, after all. Personally, I’d rather it had stayed a mystery, though.

Mysteries are good for the imagination. An anonymous sculpture, appearing out of nowhere, is something to tantalise the mind and get you wondering about all those things sitting just around the edges of the known world. A self-publicising sculptor called Billy Johnson – whether he’s real or not – is dull and mundane by comparison.

* and I’ve just helped, haven’t I. Oh, well. Billy, if you’re a self-googler and you’re reading this, I’ll tell you where my own street corner is; you can leave one there and I’ll make sure you get some more publicity for your website.

Update, August 29th 2020: This post originally linked to the website about Billy Johnson’s stone heads, which was easily findable if you did an internet search on the words attached to each head. It has since disappeared completely from the internet and the domain name bought by an entirely different woodcarver. However, the “friend of Billy’s” who set the site up is part of the “digital fiction studio” Dreaming Methods who seem to have used the publicity from the story to distribute more of Billy Johnson’s stone heads rather more widely than he could do on his own. If you want to see Billy Johnson’s work, you can find a lot of it scattered around his local area, near Barnsley.

Popularity

In which we wonder how useful social networking is

Chatting to Vee last night, she said: maybe she should cut down on social websites. She showed me the list of sites she’s got profiles on. Seventeen. Maybe she’s overdoing it a little. I have at least five at the last count, at least one of which lies derelict and abandoned.

Gordon, too, recently wrote about this. There are so many social websites out there that, if you’re not careful, they become nothing more than a time-sink. Or, the other extreme; you leave abandoned profiles scattered across the internet like so much silent litter.

Now, social interaction has been on my mind for the past couple of weeks, ever since my friend Maz called me an ignorant and antisocial git. This was largely because I hadn’t popped round to put up some shelves for her like I’d promised; but she’s not the only person to have complained that I don’t keep in touch with my friends as much as I should do. The solution to that, though, isn’t networking websites with long lists of “friends”. What’s missing is deep interaction. Going on Facebook to throw a sheep at someone is meaningless; writing them a letter or two is what counts.

Sites like Facebook are kind of pointless, except as an address book and a distraction. At least, they’re pointless as far as building up real, meaningful relationships are concerned. The social sites that are useful, though, are the ones which have some genuine purpose other than being a list of friends. Last.FM,* for example, or Flickr. I’ve always been too lazy to upload photos to Flickr, although I keep meaning to. I have a backlog of photos going back about a year, that are unsorted and mostly unseen; occasionally I dribble a few onto this site. So, I’m going to use Flickr more.** I’m going to spend more effort on the friends and acquaintances I already have, rather than collect more I don’t really know. I’m going to stick with the social networks I have, but only because, hopefully, I might become less of an ignorant git in the future. The only way to do that is with real interaction, not a quick Facebook poke.

* Well, it’s useful if you’re a music geek

** Partly because I’ve started playing with the maps. I love it. Photos and maps in one place – what more could a geek ask for?

Equinoctial

In which winter is on the way

This week, it’s started to turn to autumn. I’ve closed my bedroom window, the mornings are getting cold, and the morning air is damp and ashy-smelling.

Today, summer ends and autumn begins; but the weather was already turning. Now we’re moving towards Yuletide, the skies darkening day by day. In a few weeks, the clocks will change, and I’ll hardly see the sun.

Tonight I drove past the steelworks, and they were doing a burn. Great gouts of flame poured out of their chimneys, high into the night sky, lighting up the town and countryside. Our own little industrial bonfire night. We light fires, and we know the sun will come back again.

The labyrinthine depths

In which we think about secret tunnels and the literature surrounding them

There are plenty of stories in literature about the nameless horrors that lurk deep within the bowels of the London Underground. It’s popped up in TV, too – on both Quatermass and Doctor Who in the 1960s – and in film. In books, the first example that comes to the top of my head is a short story by Jeremy Dyson, but there are certainly many more. There are stories of secret tunnels and secret trains, lines disappearing into disused stations and abandoned passages.

Indeed, there are plenty of abandoned stations underneath London. There’s Down Street, for example, which was used as a set in Neverwhere.* There’s an entire disused railway, the Post Office Railway, running from Paddington to Whitechapel.** Not much is visible, though. The Post Office Railway was never open to the public, and disused parts of the Underground are generally very hard to see from passing trains. The occasional void, or brick wall, but that’s all.***

Paris, though. Paris is different. The Paris metro is full of secret passages. Every few hundred metres, there will be a mysterious junction. Lines will branch off into side tunnels, or delve between the other tracks, or disappear behind mysterious roller shutters in the tunnel walls. There are walkways and passageways, tracks that your train will never use, sidings deep under the city centre. In London the only place you’ll see trains parked underground is Triangle Sidings, between Earls Court and Gloucester Road; and that started out as an above-ground depot which disappeared under buildings in the 1960s. In Paris, there are trains parked all over the network, in single sidings, between stations. There’s so much to see if you look out of the window.

But does the Paris Metro have similar literature to the London Underground? Are there stories of monsters hiding in the Metro’s depths, or ghost trains rattling off down secret tracks, or secret government laboratories behind the roller-shuttered sidings? London has the literature, but Paris has the labyrinth visible from the train window.

* The “Down Street” in Neverwhere isn’t the real Down Street – but the real Down Street was also used for filming. If you’ve seen it: the dinner with Serpentine was shot on the remains of its station platforms, during normal service, with trains passing in the background.

** Which was also used as a filming location for Neverwhere, and also crops up in the love-it-hate-it Bruce Willis comedy Hudson Hawk pretending to be in Rome.

*** During the war most of the disused stations were converted into government offices – including the platforms, several of which had the platforms removed and brick walls built to partition the usable space off from the running lines. So if you’re deep under London and suddenly see a brick wall by your carriage window for a few seconds, it’s probably a disused station.