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Symbolic Forest

A homage to loading screens.

Blog : Post Category : In With The Old : Page 8

Jack of all trades

Or, can you really know everything?

Ambling around the house the other morning with the radio on, I heard a trailer for a documentary about Denis Diderot, the French Enlightenment philosopher, writer, and general all-round expert on everything. Indeed, the trailer described him as a “true polymath”, an expert at any field he turned his hand to.

Which set me thinking: is it possible to be a polymath any more? Can you really be an expert in a huge range of fields any more, or is the field of human knowledge just too wide? If you want to be a real in-depth expert in anything, it can be a full-time job just keeping up with everybody else. You might be able to skim the surface of another field, but how can you find the time to probe it deeply? Two hundred years ago, even, it was probably barely possible. Today, it’s not – the best you can do is know how to learn things quickly.

Then again, was it possible two hundred years ago? Was Diderot himself really a polymath? A philosopher and a writer, an art critic, but a polymath? How much did he know about science? He edited an encyclopedia, but didn’t write it all. From the point of view of someone whose main field of interest is philosophy or politics, or literature, he might seem like a polymath, just because he knew more than one of those fields; but he wasn’t an expert at everything. Was being a polymath ever possible? Could you ever be a master of all trades? How far back do you have to go?

Historic

In which things get recorded

Today is apparently One Day In History, a day for creating a “mass blog” which will be stored by the British Library. It sounds like an interesting idea, but I’m not convinced.

The grandfather of this sort of event is Mass-Observation, an organisation set up to record everyday life in the 1930s, and still going today. It, though, was directed centrally by anthropologists, and still tells its writers vaguely what it would like them to write about. One Day In History, by comparison, is broad but shallow. It wants to know what people did, not what their opinions are. It wants you to talk about an ordinary day, but also wants “history” to be an important part of what you do.

In any event like this, there’s always going to be a contrast between the drive to make sure people write about “ordinary things”, and the pressure to write something interesting. My day today will probably be fairly boring. Get up, office, home, dinner, spend the evening sorting and filing the photos I took at the weekend. If One Day In History had been last Saturday, say, I’d have had something much more interesting to write about. It’s also a very self-selecting event.* How many people are only going to write if they have something interesting to say? How many are going to feel an urge to do something special, to paint a slightly more interesting life? I’m going to write about my own boring day for them tonight, if only to balance things out a little.

* But then, so is the current incarnation of Mass-Observation

Bells

In which we tell a story and hear a funny noise

Writing about the things that the staff say over in Another Part Of The Forest has reminded me of an old folk tale I read once, in a book of English “village fool” stories. I can’t find the book right now, so I’ll do my best to retell it.

It’s specifically about Another Part Of The Forest, and it tells of three travellers who were one day walking along the High Street, to meet a crowd of locals shouting loudly at people to get to church.

“What’s going on?” one asked.

“Well,” said the local, “we’re the local bellringers. Only our church has no bells, so we walk around the town telling people to come to church instead.”

“Never fear,” said the first of the travellers. “Me and my companions are the finest of craftsmen, your town is clearly in need, so we will each make you a bell for your church tower.”

A year later the travellers returned, each with a bell for the town. They were installed in the belfry, and the bellringers started to ring a peal with joy – only to find out that the bells made a slightly odd noise. Their peal went tink, tock, pluff.

“I thought you were the finest craftsmen of your trade!” said the lead bellringer.

“Indeed I am,” said the first craftsman. “I am the finest tinsmith in the county, and you have an exquisite tin bell.”

“So am I also,” said the second. “I am the finest carpenter in the county, and you have a perfect wooden bell.”

“I am but modest,” said the third, “and I can only claim to be the second-best leatherworker in the county. I have given you a top-quality leather bell.”

So that’s why, if you listen to the church bells in Another Part Of The Forest, you’ll still hear them going tink, tock, pluff.

(or at least that’s what the story says. I’ve never heard the bells ringing myself, so I can’t confirm that it’s true. Somehow I suspect not.)

Recycle

In which we look at the concept of eternal rest

In the news recently: the government is making moves to reuse old burial plots, to deal with the problem of overcrowded graveyards. People are, naturally, a bit shocked at the idea of disturbing one’s eternal rest, especially given the synchronicity between this news and the reburial of Gladys Hammond.

However – and I bet you could tell I was about to say this – the idea that the grave represents your eternal rest is a relatively new one, dating from the late 18th century. It’s in the late 18th and early 19th centuries that all the world’s great cemetaries were opened – Old Calton Hill in Edinburgh, designed around David Hume’s mausoleum; Highgate; Kensal Green; Père Lachaise; the Glasgow Necropolis. Prior to that, the grave was normally a temporary place of rest, unless you were an important person.* After noone around could remember you, up came your skeleton, to go into the local charnel house.** In The Name Of The Rose, set in the 14th century, a charnel house (of sorts) plays an important part in the plot.*** The most famous example, nowadays, is probably the ossuary near the Czech town of Kutná Hora.

All this seemed to change in the 18th and 19th centuries, when people started to think of the grave as the eternal resting place. Possibly this was connected with the rise of rationalism – people started to care a lot more about the treatment of the body after death, when previously they’d been confident that the treatment of the soul was more important. It led, in turn, to the modern funeral industry, described by Jessica Mitford in *The American Way Of Death***** and Evelyn Waugh in *The Loved One*. The body has become the overriding focus of funeral rituals, and we forget that only a couple of hundred years ago, exhuming the skeleton and reusing the grave was the normal way of life and death.

* If you were important enough to be a saint, of course, bits of your body could end up all over the place.

** Somewhere I have a book of traditional English folk-tales, in which the parish charnel house often plays an important part – persuading someone to go inside at the dead of night, with someone in there already pretending to be a ghost, and that sort of thing.

*** Spoiler: it’s also a secret passageway (highlight to reveal).

**** Originally published in the 1960s, but with a sequel written in the 1990s.

Grace and favour

In which we give people free houses

There’s been an awful lot in the news recently about John Prescott and Dorneywood, the grace-and-favour country house he’s just given up. Which set me wondering: why do we have to have state-owned mansions for ministers anyway?

It’s not as if it’s an ancient tradition. Chequers, the Prime Minister’s country estate, has belonged to the government since the First World War. Dorneywood was given to the government in the last 1940s, and Chevening, normally the official residence of the Foreign Secretary,* has only been used by the government since 1980. The whole idea – giving ministers stately homes to play with, so they can look suitably upper-class when they want to,** is very much a modern one.

Now, I can see why ministers might need somewhere to go and relax, to entertain visitors. Do they really need their own mansions, though? The German federal government owns a big hotel just outside Bonn for that reason.*** The Scottish First Minister lives in a National Trust for Scotland place,**** a Georgian townhouse in central Edinburgh. Why does the British government need a whole portfolio of country houses for its ministers to live in?

* but, at the time of writing, the official residence of Jack Straw; he got to stay on there when he was demoted.

** see also: playing croquet.

*** Pointless boast: I played in a concert there once. It’s a lovely place, if a bit ornate for my taste.

**** note that the National Trust for Scotland is completely unrelated to the English, Welsh and Northern Irish one.

Land Of Green Ginger

In which we go to Hull

Was over in the Republic of Hull at the weekend, and popped in a pub in the city centre, called Ye Olde White Harte.* It’s a very old pub indeed, full of tiny rooms, alleged ghosts and dark wood panelling, and it’s been on the site for around five hundred years or so. Back in the seventeeth century the Siege Of Hull, one of the opening skirmishes of the Civil War, kicked off in the upstairs room of the pub.**

I was in the pub to go to a meeting, in the aforesaid upstairs room, with swords on the wall and portraits of men in seventeeth-century styles. Just as you could imagine it being back in the civil war, in fact. We sat around having our meeting, just like the seventeenth-century city leaders plotting to change the government whilst downing jars of ale. But, of course, there was a little sign on the wall next to the swords: “found during the Victorian restoration”.

Like many buildings of its age, not much of the Olde White Harte is genuine. It might be a genuine sixteenth-century pub, but much of the interior will have been redone in the 19th century, if not since, to look like the modern ideal of a genuine sixteenth-century pub. For one thing, bars were only invented in the 19th century, in railway station refreshment rooms. I have no idea what it would have actually looked like when first built, but almost certainly not how it does today.

* I don’t see why they can’t call it the Old White Hart, but apparently it’s tradition or something.

** Well, they didn’t exactly start a bar-room fight with the King, but it was where the city leaders decided to bar the gates to the royal army.

Ravens (part two)

Or, myths of the literal and the figurative

(read part one here)

I thought I’d better get around to finishing this post off, because the Tower Of London ravens are in the news again. Now that bird flu has started to make its way into Western Europe, the Ravenmaster is getting ready to move his birds into the top-quality indoor aviary mentioned previously, and the story is making its way into all the papers.* We can’t have the ravens dying on us; the fate of the country isn’t at stake.

Except, though, that the idea that the fate of the nation depends on the Tower’s ravens is all a big misunderstanding. The myth isn’t about living ravens at all. The real myth is that the fate of the nation depends on the raven god staying at the Tower. Furthermore, according to some, he already left.

The closest we have to the original superstition is in medieval Welsh myth. In Branwen, Daughter of Llyr, part of the Mabinogion, the hero Bran – “Raven” – is mortally wounded in a battle with the Irish. He tells his companions to cut off his head, and bury it on Tower Hill. The head stays alive for 87 years, but eventually the spell is broken, and they do as they were told:

[The followers of Bran] could not rest but journeyed forth with the head towards London. And they buried the head in the White Mount, and when it was buried, this was the third goodly concealment; and it was the third ill-fated disclosure when it was disinterred, insamuch as no invasion from across the sea came to this island while the head was in that concealment.**

The Iron Age people of Western Europe were big on heads and head cults. Stone heads have been found buried at various archaeological sites, and this passage is the best evidence we have as to why they were buried: they were protective talismans. Clearly, the writers of the Mabinogion believed in their power, too. They have to explain why the Welsh lost control of south-eastern Britain, when the raven god’s head was protecting them from invasion. Answer: the English only managed to invade after the head was removed. The blame for this is placed on King Arthur, who, not being superstitious himself, deliberately dug the head up in the hope of making his armies try harder. It worked, whilst Arthur himself was around; but after his death, Britain fell to the English.***

So, in short, the Tower Ravens might be a twisted survival of an ancient Welsh myth. The modern version of the story doesn’t appear in print, though, until the late 19th century, well after the Celtic Revival, and well after the Mabinogion had been published in English. Furthermore, the original story is that the promised fall of the nation has already happened; and England is the country that replaced it. If the Tower’s ravens do all leave one day, we English don’t have much to worry about; we are the people they were meant to be protecting the country from in the first place.

* and a lot of people are searching the web and coming here for more information.

** From the Charlotte Guest translation of the Mabinogion available from Project Gutenberg.

*** This part of the story isn’t in the Mabinogion; I’m taking it from Mythology Of The British Isles by Geoffrey Ashe. It’s mentioned in at least one set of Welsh Triads.

Ghost story non-update

In which we try to double-check a psychic’s work

If you’re not just a regular reader, but the sort of regular reader who reads all the comments too, then you’ll have noticed that Colleague M dropped by the site the other day to let me know that her sister Lydia had been asking for its address. “I think she’ll be upset,” said M, though, “to find you haven’t written about her for some time.”

Well, I originally wrote about Lydia because of her haunting problems, and as they seem to have gone away recently, I haven’t written about them for a month or so. I forgot to mention, though, that I did have a Plan.

As I’ve mentioned before, The Mother has been heavily into genealogy recently, and as part of that she has subscriptions to all sorts of websites, including ones which let you search 19th-century census data. Lydia’s friendly psychic investigator had told her that her ghosts were from the 19th century.* Furthermore, she’d also told Lydia their first names. So, my cunning plan was: get The Mother to look up who actually lived in Lydia’s house back then, to see if we had a match. If not, well, censuses are only held once per decade, so it doesn’t necessarily mean the psychic was wrong; but if we did have a match then that would be very impressive.

Unfortunately, the plan fell through, when Mother found that back in those days, the houses in Lydia’s street weren’t actually numbered. Bugger. Given that I only had a couple of first names to go on, she didn’t really fancy trawling through census returns for the whole street. After all, it’s a fairly long street. And, if we did find a match, it wouldn’t really be particularly good evidence anyway, given that we couldn’t firmly link them to Lydia’s house. All-in-all, I was a bit disappointed, which is why I haven’t mentioned it earlier. But I thought I would. Just in case you’re reading, Lydia.

* they couldn’t really be any older if they’d actually lived in her Victorian-built house

More photos

We go back to Imperial Russia again

Following on from last Wednesday’s post, here are some more photos by Sergei Prokudin-Gorskii, reassembled in colour form to go on my computer desktop.

These aren’t exactly the versions I made for my desktop. There didn’t seem to be much point. I seem to have an unusually-shaped monitor,* so wallpaper files that are useful to me probably wouldn’t be much good to any of you. Moreover, Prokudin-Gorskii’s originals aren’t a suitable shape to fit any sort of computer monitor at all.

In any case, none of these photos are in perfect shape. Most have imperfections, which come out as brightly-coloured blotches in the final version, making all the human subjects look like paint-factory workers. There tends to be a faded band at the top and bottom of each shot, which, when coloured, gives you a red fade at the bottom of the picture and a blue fade at the top. Re-cropping each picture helps avoid the worst damage on each.

I have no idea what most of these pictures are, but I still love playing with them and looking at them. I find the Prokudin-Gorskii pictures fascinating, as you can probably tell.

Imperial Russia

Imperial Russia

Imperial Russia

Imperial Russia

Imperial Russia

* Unless my calculator is being flaky or I’ve got some maths wrong, it appears to have a 5:4 aspect ratio.