Symbolic Forest

Back in the mists of time (well, January), I posted about the mechanism I use to keep track of ideas I’ve had for posts to write about, so I make sure that if I’m in the middle of something else and think “that would be a good blog post topic,” it doesn’t just get forgotten and allowed to wither.

I realised, looking the other day down the list of “tickets” for post topics to write about, that practically all of the things I actively want to write about are ideas I’ve come up with in the past couple of months, since moving house. There are plenty of things I wrote down before moving, but none of them really spark anything inside me at the moment, as something I want to put down and get out there. Some of them I do at least understand; others are a little bit more mystifying. When I put down a few words such as “Post about the fast-flowing water in Stockholm,” what did I really mean and what exactly was I going to say?

Moving house, it seems, has subconsciously been a much bigger upheaval than I realised it would be. A much bigger and cleaner break from the past than I was expecting. I can understand no longer having the energy to write posts about Bristolian local history; but all of those had been cleaned off the backlog already in any case. Somewhere in my head, all of the ideas I came up with before moving are now in a dusty mental box marked “do not need to unpack”.

Nevertheless, although I had a bit of a lull, there are now plenty of ideas to come. At some point, too, I’ll get back on to the old ones, maybe even finish writing that modern version of The Box Of Delights that I started to make a rough stab at. There is a lot more to say, even if as yet I don’t know exactly what all of it will be.

Keyword noise: blogging, writing, ideas.

We’re a couple of weeks on from the previous post, so it’s time for another update on my current cross-stitch project. This weekend just past, I finished off the last of the cross-stitch itself on this project. Now, I just have the back stitch to do.

The back stitch that makes up the border (and the lettering at the bottom) will be nice and straightforwards; the back stitch that provides the veining on the wings is going to be rather harder, as it’s in a dark brown thread that doesn’t stand out very well at all against the fabric. By the time of the next update, I suspect I’ll be getting somewhat frustrated.

The previous parts in this series were part four, part five and part six. The final part is part eight.

Keyword noise: crafting, sewing, cross-stitch, bee, bumblebee.

Today, when I went for my daily walk,^* I took my camera with me, intending to take shots for a planned series of posts about railway history that I’m slowly putting together. However, this post is more of a follow-up to the one from the other day on the various types of corvid you can see in this area.

I mentioned in that post that, around here, jackdaws nest in the girders of railway bridges in much the same way that pigeons do elsewhere. I’d only just passed under the railway bridge that I was thinking of when writing that, when I realised that I was walking along a few feet away from a jackdaw, at head height but on the other side of some iron railings. The ground on the other side of the wall was rather higher than by the footpath, so as I walked, the jackdaw was walking too, stopping to look for things in the grass. I tried taking a photo, and it didn’t seem overly bothered. I took a few before eventually it flew away.

You can see the significant feature of jackdaws that makes them easy to recognise: the silvery-grey head and neck.

Later on, as I was on a slightly more rural part of the walk, I spotted a much larger bird on the far side of a meadow. This is what I was talking about before: sometimes I see larger black birds, that might be ravens, but they are never quite close enough to get a definite identification. Even with the good camera, this is the best I could do.

To my eyes, that could well be a raven. It seems to have a raven-like profile to the head, and it seemed to be quite a big bird too. Whether it really was a raven: well, I’m no birdwatcher. If I do manage any better, more definite raven identifications, I’ll let you know.

* Daily in aspiration if not in fact.

Keyword noise: wildlife, corvidae, corvids, jackdaws, ravens, birds.

Those of you who read yesterday’s post about the Lyrid meteor shower may well be waiting on the edges of your seats for further information as to how the night went.

The short version is that I don’t think I saw any meteors. I went out after it was dark, sat in a chair, relaxed, and watched the sky. The sky was nice and clear; initially, at least. The Moon was rather bright, though, and before long high clouds started to roll in from the north-east. The moon lit the clouds up beautifully, but for anything else it was hopeless. I went in after half an hour, without a single meteor being spotted.

Still, I had also taken my camera out with me, as a bit of an experiment. I set it up on the tripod, plugged in the remote release, chose what seemed to be a good exposure and sat there clicking away. I don’t expect the results will be outstanding, not for a first quick attempt, but we’ll see what comes out of it. It might take a bit of experimentation in post-processing; I’ll keep you updated.

Keyword noise: astronomy, meteors, meteor shower, Lyrids.

There haven’t been many astronomical posts on here recently. Partly, that is, because as the seasons turn it’s no longer feasible for The Children to stay up and get the telescope out, at least not on a school night; and I have to stay up later and later for the sky to be dark enough. Indeed, a little over a month from now, it won’t be technically night at all for a while here. At this latitude there’s a whole two-month period, centred on the summer solstice, when it doesn’t officially get any darker than “astronomical twilight”. As of today, you have to wait after 10.30pm or so (local time, that is) for it to be night night.

Nevertheless, I do have plans in the pipeline, both for astronomy-themed things to write about here and astronomy things to actually do. So, watch this space. I’ve been taking hints and inspiration from a friend who takes some lovely astrophotography shots; we’ll see if it goes anywhere.

The reason I’m posting this today, though, is that it’s another one of those interesting times in the astronomical calendar. Tonight, some time in the middle of the night, it will be the peak of the April Lyrids meteor shower. The Lyrids are the debris from Comet Thatcher, which was discovered in 1861 and hasn’t been seen since, as its orbital period is around 415 or so years. The meteors themselves often tend to be of the “fireball” type, fat streaks of light that leave a noticeable smoke trail behind them, a bit like one of the Geminids I spotted last December.

As it happens, the weather forecast for tonight here is actually quite a good one, with (at the time of writing) clear skies in the forecast right through the whole night. Maybe I’ll try dragging a chair outside at bedtime and sitting back to watch the sky for a while, to see if anything happens.

Keyword noise: astronomy, meteor shower, meteors, Lyrids.

You might think that moving from an inner-city house to a suburban house, only about thirty or forty miles apart, you’d not see much change in the wildlife you see in the area. It’s been interesting, though, since moving, noticing the changes.

Take birds for example. In Bristol, the most common large birds were seagulls, and the most common small birds house sparrows; every house along our terrace had one or two house sparrow nests under the tiles at the edge of the roof. Occasionally a sparrowhawk would come and perch on the garden fence. The most common corvids were magpies, a family of them in most streets. When I started working from home, sitting at the window with a telegraph pole just outside it, one local magpie would regularly come to investigate me: perching on a rung of the pole at my eye-level, making eye contact and giving me a good curious look.

Here in the new house, the fauna is actually quite different. There are still seagulls, occasionally, coming up the valley; but the most frequent large birds are buzzards, slowly soaring over the neighbourhood sending all the other birds into a panic. The most common small birds are blackbirds and wagtails; pied wagtails in the garden and grey wagtails along the riverbank. In between, though, I often hear the calls of wood pigeons, but the most common birds of all are corvids of various types. I have been trying to sit down, watch them, and work out exactly which are which.

Magpies, of course, are easy to recognise, both by sight and by call. There are a few magpies here that come into the garden occasionally, but they’re not common as they were in Bristol. The most common birds here, though, are jackdaws. They arrive in pairs or in bigger flocks, and now I’ve learned to spot them, their silver heads are very recognisable. They nest here almost like pigeons do in a city, in spare ledges, under railway bridges and suchlike, as well as in more traditional spots such as in the hollow end of a sawn-off tree branch. They fill the main “medium-sized scavenger” niche taken by pigeons in a city centre.

There are, though, a few larger corvids, and these are the ones I’m having trouble with. Basically: are the larger black corvids I can see occasionally ravens, rooks or crows?

They’re probably not rooks. Rooks have pale beaks, and I haven’t seen any of those. Rooks, like jackdaws, tend to nest and travel in flocks; when I see a black bird larger than a jackdaw it’s usually on its own. Crows, then? Some of them probably are. The problem I have identifying any of these birds is: they have a distinct aversion to photography, if they spot you doing it, and I’m not someone with any specialist long lenses or other bird-photography equipment. If I see a bird from the window, in any case, by the time I’ve gone to get the SLR it’s probably flown off. If I photograph it with my phone, it’s either an indistinct black blob, or it sees me pointing my phone at it and, as you might expect, flies off. These birds, of the “indistinct black blob” category, I’m pretty sure are crows.

Every so often, though, I see a much larger black bird, usually much further away. I see it sitting on the peak of a roof, in the next street, and it looks much larger than a crow should look in my approximate mental map of these things. Is it a raven? Or just a particularly big crow? The problem there is, I’ve never seen it close-up, I think. Is it just an optical illusion, the sort of thing where somebody sees a black cat crossing their path a few hundred yards away and thinks it’s a panther?

If it is a raven, I suspect there’s probably only one of it. It doesn’t visit very often, and I don’t think I’ve seen it flying. Could it just be a big crow? I suppose it could. If I don’t get any closer sightings of it, maybe that’s a sign that it really is just a mirage; that, in my hand, it would just be the size of an ordinary crow. I’m going to keep looking. There might not be any sightings, but if there is, I’ll keep you updated.

Keyword noise: wildlife, corvidae, corvids, crows, jackdaws, ravens, magpies, birds.

This is not a bee blog, despite the bee-themed cross-stitch in the previous post and the burrowing bumblebee in the one before that. However, having said that, I did come across an interesting bee whilst out walking today.

This is a female Andrena fulva, the tawny mining bee. She was stumbling sleepily across the path in the spring sun, her golden orange abdomen standing out very strongly against the soil and grass. You could almost take the photo for a selective colour one.

Keyword noise: outdoors, wildlife, bees, solitary bees, tawny mining bees, Andrena fulva.

In lieu of a more informative post—I’m in the middle of researching something in-depth and historical, but everyday life and tiredness keep getting in the way—here’s an update on the current cross-stitch project, a couple of weeks on from the previous one.

As I’ve gone through it I’ve been leaving aside all the bits that feel as if they would be awkward and fiddly; but now, it feels as if there’s nothing but awkward fiddly bits left. It feels as if progress has slowed down because the overall outline hasn’t changed much; but there are an awful lot of colours now which I’m fairly sure I’ve completely ticked off the list.

The previous parts in this series were part four and part five. The next parts in this series are part seven and part eight.

Keyword noise: crafting, sewing, cross-stitch, bee, bumblebee.

Only the other day, I wrote about heading out to visit a castle now that outdoor tourist attractions in Wales are starting to open up again. And now, along comes another post about it! This isn’t going to become a blog purely about days out I’ve taken, honest.

For the past few years, we’ve gone every spring to the museum at St Fagans, just west of Cardiff. If you’re from South Wales you will undoubtedly know of it, but I was always surprised, when we lived only just over the water in Bristol, how many English people don’t. Sain Ffagan Amgueddfa Werin Cymru, or St Fagans National Museum of History,^* is a museum of Welsh buildings and Welsh life on a grand scale. It was founded back in the 1940s, modelled on the Skansen museum in Stockholm: the grounds of an aristocratic stately home, St Fagans Castle, were slowly filled with exemplars of vernacular Welsh architecture, dismantled and re-erected.

The museum also has indoor galleries, in a huge 1960s-era brutalist building which—after a full refurbishment a few years ago—is a gorgeous example of the period with a wonderfully light and airy atrium space. Naturally, none of that is open at the moment. Nor are the interiors of the historic (or replica) buildings themselves. However, given that visitor numbers are being carefully limited, this does mean that we had a great opportunity to explore the grounds in detail. I should have brought my Proper Camera, because normally you don’t get to take photos with nobody else about quite as easily.

This is Rhyd-Y-Car Terrace, one of the museum’s highlights, showing the changes in a typical urban terrace over two hundred years. If nothing else, when you can go inside, it gives parents the opportunity to say “look, this is what houses looked like when I was small,” as their children gaze at a 1970s microwave, an early VCR and a model of a plate of fish fingers. The buildings themselves came from Merthyr Tydfil; railway nerds might remember that Rhyd-Y-Car Junction was the point where the Brecon & Merthyr Railway met the Great Western Railway just outside Merthyr station.

The gardens outside the terrace are similarly reconstructed and appropriate to the period of each cottage, with vegetable plots and outside toilets gaining sheds, pigeon lofts and air raid shelters, before being replaced with grass and a greenhouse.

You might remember, back in the mists of time a few paragraphs ago, I said that we always tend to go to St Fagans every spring. The reason for that is: being a museum of Welsh life, it has its own sheep farm—with added geese, ducks, cows and porkers too—and every year lambing season turns into a bit of an event, complete nowadays with the lambing sheds being broadcast online on the museum’s “LambCam”. By April though lambing season is pretty much over: we could see the lambs in the fields, but not many were left indoors. Still, this one seemed happy to see us.

Other signs of spring were everywhere too: the ground carpeted with primroses and celandines, bluebells starting to appear in the woods, and the daffodils still in strong flower. I watched this bee flying round, scratching under grass and leaves apparently trying to dig a hole, before giving up and trying another spot.

I think she’s a queen buff-tailed bumblebee (Bombus terrestris), possibly looking for somewhere to start her nest.

* Translation note: the Welsh name doesn’t mean “Museum of History”, but it could mean “Welsh Folk Museum” or “Welsh People’s Museum”. The Welsh name has stayed the same over the years whilst the English one has changed a few times: road signs off the motorway direct you to the “Museum of Welsh Life”.

Keyword noise: Cymru, Wales, Amgueddfa Cymru, National Museum of Wales, Sain Ffagan, St Fagans, museums, history, bees, bumblebees, sheep.

With travel now allowed within Wales, and places starting to open up, we can now go out and visit castles and suchlike again. Cadw, the Welsh historic monuments service, are starting to open up a number of their sites to carefully-controlled numbers of prebooked visitors at sites where it’s feasible. You can’t see the fantastic Victorian Gothic interiors of Castell Coch, but you can go and visit many of the famous castle ruins of Wales, the most famous being the “Edwardian subjugation” castles of the North. Caernarfon or Conwy are a bit far for a day trip from here, though. Instead, we set out for somewhere a bit more local, and walked through the complex arched gateways of Castell Rhaglan, Raglan Castle.

Raglan covers a large area but is rather unusual in that its keep is a moated hexagonal tower outside the main castle bailey, with a high-level bridge linking the two—in fact, in the Tudor period, it might even have been a bi-level bridge. The various levels and arches give you fantasically complex views that are almost like the works of Piranesi.

Raglan was still a sumptuous residence all through the Tudor period, right up until the Civil War. In the Stuart period, it even had a fountain powered by some form of steam engine, which must have predated the machines of Papin or of Savery. The upshot of this today is that, compared to the castles of North Wales I mentioned earlier, it has parts of rather more modern construction. There are substantial chunks rebuilt in brick, for example; finely-detailed stone carvings; and rooms with large rectangular windows. Nevertheless, it is still a ruin: in the Civil War its aristocratic owners naturally supported the King’s side, and as a result the castle surrendered to General Fairfax in the summer of 1646. The castle was made uninhabitable, and sadly, its library destroyed. It still today has no roof to speak of, few floors, and many stone stairs leading nowhere.

In the Tudor and Stuart periods the castle was surrounded by several terraces of formal gardens, which also no longer survive. Indeed, even if the castle had survived the Civil War, the gardens would no doubt have been lost to changes in aristocratic taste in any case; very few Tudor houses have had their original gardens survive continuously. The castle today is surrounded by the rough, rounded-off and grassed-over remains of the terraces, scattered with picnic benches, and with a shed and a Nissen hut tucked away in a discreet corner. Nevertheless, you can still look out from the castle across the rolling farmland that surrounds it, over to the Blorenge and the Sugar Loaf on the horizon.

I must go back again some time with the Proper Camera, to take a photo which shows the Sugar Loaf as clearly as it stands out to the naked eye. Moreover, if the Sugar Loaf disappeared from sight, as it did when we were there, you know it’s time to seek shelter before the weather reaches you.

Incidentally, if you read the subtitle at the top of this post, you might still be wondering where the pun is. It’s not a very good one, but it is a bilingual one. My Welsh vocabulary is slowly improving; and all day, I had the same thought going around in my head, that if I was commissioning shows at a Welsh TV station I’d have one every day called “The Raglan Programme”, just because its title would be Y Rhaglen Rhaglan. I’ve done better, I have to admit.

Keyword noise: Cymru, Wales, Cadw, castles, castell, Raglan Castle, Castell Rhaglan.