+++*

Symbolic Forest

A homage to loading screens.

Blog : Posts tagged with ‘Harry Potter’

Ahead of the curve

On never really understanding the popularity of something

It’s shaping up to be another quiet month on here. December is the tiredest month, after all: next week it’s Christmas itself, last week it was the office party, and in between I am at home worrying whether all the presents will get delivered in time. Time, then, to pull another old post from the backlog of drafts and get it into some sort of shape.

On Twitter over the past couple of years, it seems as if some arguments or some topics seem to come around, be propelled back into the spotlight, on a very routine and predictable schedule. An example in point: the multimillionaire writer Joanne Rowling, who seems to be unable to avoid the temptation to say controversial things on the internet which seem to have alienated huge swathes of her previous fanbase. As I said, Rowling is a multimillionaire, multimillionaires can afford expensive lawyers, and as such I am carefully stepping around the things she has said—which I, personally, have found genuinely very offensive—without describing or repeating them. In any case, offensive words are best left to wither away and drift off unheard into the wind.

The point of this post, though, is to write more about Rowling’s work than her political beliefs. It’s to say, out loud, something I’ve hinted at on here before, but never actually said out loud for fear of offending people. A dark secret, you could call it. I don’t have to go around throwing Potter merchandise or books in the bin, because I’ve never really thought Harry Potter was very good.

There, I said it. Harry Potter was never actually very good. I’ve kept quiet about this because I’ve had various close friends who, absolutely, adored it. My ex-partner H, for example, who had me take her to a midnight book launch event for the final book. Or Colleague Em, who I went to see one of the films with. I’ve still never seen all of the films, but did like their aesthetic* and did somewhat admire the way they turned a sow’s ear into, maybe not a silk purse, but something much more focused and better-structured than their source material.

My first memory of Harry Potter, the book series, is of seeing displays of the books in Waterstones in Edinburgh, back when the cover of the first was a slightly cartoonish drawing showing a steam train next to a modern InterCity one, so you can understand why it piqued my interest. I didn’t really find out what it was about, though, until a year or two later when the hype machine had started to kick in, and you started to see newspaper articles about how adults were furtively reading this “children’s book” on their morning commute. Part of that machine, you might have heard, was the whole story that she wrote the first book sitting in cafes in Edinburgh whilst living as a penniless single mother.

It was at this point I started to become wary. Back then, these stories often didn’t just talk about generic “Edinburgh cafes”. They talked about one specific cafe, Nicolsons, on the corner of Nicolson St and Drummond St. I knew it well: I spent four years studying within a stone’s throw of it, some of those years living within a stone’s throw of it too. I say “I knew it well”: I mean, I walked past it several times per day, and if you’d asked me directions to it, I’d have done fine. I went in it exactly once, the whole time I lived in Edinburgh, because when I lived there, it was the posh cafe in the area. It was the one that gave you mini doughnuts when you ordered a hot chocolate. It was certainly not one I could afford to go to very often. If I wanted to eat out I’d go to the City Restaurant,** or to a greasy spoon in Nicolson Square where I once received an unexpected shower from a sudden leak in the ceiling above me. If I wanted a coffee, I’d go home. Nicolsons? Too expensive for a student, even one with a grant and a part-time job. So I’ve always been somewhat suspicious.

Only today, as it happens, doing background reading for this blog post I discovered that Nicolsons belonged to someone in Rowling’s family at the time, and all of a sudden the story, or rather the promotion of the story, begins to make a little sense. I didn’t know that back at the time, of course; and a year or so before I left Edinburgh Nicolsons closed and was replaced with a Chinese restaurant. Other Edinburgh cafes picked up the mantle of claiming to be “the place where Harry Potter was written,” much as almost every town in Britain has a “Charles Dickens slept here” plaque if you look hard enough.

Aside from the whole question of where it was written, and how genuine that story was—which is somewhat irrelevant to the content of the books themselves—I was left entirely cold by descriptions of the story. Now, I can understand reading (or writing) books about magic. I can understand wanting to read P G Wodehouse, or to an extent even Enid Blyton.*** I was baffled by the concept of somebody wanting to write a school story in the modern, forward-thinking and progressive 1990s. Particularly a school story in which the boarding school itself was the place of safety, of order and authority, and of home. A book that posits that setting must surely be a deeply reactionary, conservative book, whichever political party the author is giving money to. Without ever reading the book, I already knew that much. As we’ve seen over the twenty-something years since, it turned out to be right.

You can see echoes of Rowling’s recent behaviour early on, in her response to whether or not it made sense for Kings Cross station to have a Platform 9 3/4, when at Kings Cross—like most large UK stations off the top of my head—platforms 9 and 10 face each other across a pair of tracks, rather than being back to back. From memory: her response was that she’d been thinking of Euston, from a time in her life when she regularly caught the train from there to Manchester. Which is fair enough, except that at Euston platforms 9 and 10 also face each other across a pair of tracks; and they’re only used by the local trains to Watford.**** It seemed odd at the time to double down rather than admit to a mistake or—as you might expect an author to do—admit to inventing something fictional in which the details don’t need to be strictly real and parallel with the real world. Nowadays, it seems more characteristic.

Harry Potter was an important part of many of my peers’ formative years. They—the ones that are my friends, at least—have distanced themselves from Rowling’s politics, and have learned to detach the art from its creator, much as I try to listen to the music of The Smiths without thinking of the politics of the lyricist. I don’t feel any pride in always being a wee bit suspicious of it, or in spotting these holes early on. Nevertheless, it does give me a slight advantage. Never having been fully into it, I don’t have to dissociate myself from it now. That’s something, I suppose.

* although A Series Of Unfortunate Events did the same aesthetic, better.

** Everyone who has lived on the South Side knows the City Restaurant; it’s an institution, although when I arrived in Edinburgh there were people who genuinely told me it just hadn’t been the same since they changed the chip fat in 1995.

*** I should add, I’ve never read any of Blyton’s “school stories”; the Famous Five books are all “what we did in our holidays” stories. I wondered even at primary school age, if you counted up the number of Famous Five books and the number of school holidays you get per year, surely they must be into their twenties by the end?

**** Edinburgh didn’t even really have a platform 9 back when Harry Potter was being written, in case you were wondering if that was the source. Back then, the only platform numbers under 10 were 1 and 7, a relict of the way train services eastwards and southwards from Edinburgh had been cut back in the 1960s. The track for platforms 8 and 9 survived, as little stubs used in the daytime to store the engines used by some of the overnight sleeping car trains to the north of Scotland which split or joined portions in Edinburgh in the middle of the night.

Bookshelves

In which we muse on J K Rowling’s favourite books

The Mother, for Christmas, received the final Harry Potter book. Being a sensible, serious grown-up person, she received the sensible, serious grown-up edition of the book. Its back cover consists entirely of the author’s portrait, standing in front of her bookshelves.

What intrigued me, though, was J K Rowling’s choice of books. Particularly, the choice of books she was photographed in front of. I’ve been poring over the portrait. So far, I’ve managed to identify:

  • Adrian Mole: The Cappucino Years
  • Several Agatha Christie novels
  • Nabokov’s Pale Fire
  • The Way We Live Now by Trollope
  • Something called The Ladies Of Llangollen – I’ve not heard of it and I can’t make out the author.
  • Joyce’s Portrait Of The Artist As A Young Man
  • The Well Of Loneliness by Radclyffe Hall

And lots of other things whose spines I can’t read, whose spines are very worn, or aren’t quite in focus in the picture. It’s a mysterious selection. Presumably, it’s a collection of books she’s built up over years; some of them look very well-read. I’m a bit puzzled by her filing system, though. Is there a reason why Agatha Christie is next to Freud, or why Nabokov is next-door-but-one to Radclyffe Hall? I’m sure each book must mean something to her; what are the connections between them?

Update, August 30th 2020: The Ladies of Llangollen were Eleanor Butler (d. 1829) and Sarah Ponsonby (d. 1831), two Irish women who lived together at Plas Newydd, Llangollen. The book in question is potentially by Elizabeth Mavor.

Harry Potter And The Are We Nearly There Yet?

In which the end of a series is within sight

No, not the book. As I reviewed film number four for this blog, back in 2005, I thought I may as well review the fifth one too. I still haven’t seen any of the earlier films.

It fits in well with something I said about J K Rowling’s books recently: I parenthetically accused them of being big, baggy and badly-paced.* The film of Harry Potter And The Order Of The Phoenix isn’t, though. It zips a lot. It’s as good a faithful film treatment as anyone could have done: it cuts out an awful lot of unnecessary excess baggage without losing much at all of the main story. The book of the film of the book (should it exist) could well be a far better read than the original.

JK could learn from some parts herself. Without spoiling too much: the school is taken over, in a way, by direct “state” control. The Ministry’s representative issues constant diktats aimed at blocking resistance from the children and staff. In the book, it’s handled like this: the notice is pinned to the wall, and then the children discuss the awful effect it is going to have on the plot their lives, for a few pages. In the film: the notice is pinned to the wall, with children around looking gloomy. Close up on the notice, so we can read it. That’s it. We know the effects it is going to have; we don’t need to have it all spelled out for us.

A lot is taken on assumption in the film, though. There is no world-building, at all. You have to know where you are, and what is going on, because nothing is explained. Why does the Ministry have a room full of dusty glass orbs? Where do they come from, and what are they for? You’re only going to find that out if you read the book. The Ministry itself was a far cry from the endless edifice of the book: it seemed to be limited to two or three sets,** no doubt for sensible budgetary reasons.

So: better than the last film, and surprisingly good. I’m still wondering how you order a phoenix, though, especially as there’s only one of it.*** If I ever get into any trouble like Harry, I’m going to rely on a little-known but powerful secret society of vigilante lexicographers: The Alphabetical Order. And one thing that had me puzzled for a while: the voice of the Ministry’s lift. I was sure I recognised it: probably from something on the radio, as it was a radio comedy kind of voice. It turned out to be someone called Daisy Haggard, who has been in an awful lot of good things I’ve seen on the telly over the past couple of years.

Right, now I’m off to print out sheets of sticky labels saying “Harry dies at the end!” to stick up around town in the morning. I’m not really bothered what happens at the end of the series myself, and I have no idea if he dies or not; but if I do that tomorrow morning, it’s bound to look plausible.****

* The Plain People Of The Internet, in chorus: Like this post, you mean?

** Although, to be honest, I can’t remember if as much of the book’s action takes place in the Ministry’s main foyer as the film’s seems to, and I’m not going to look it up. I did enjoy the foyer’s architecture, though, because it reminded me of original Underground Group architecture.

*** I can’t seem to find any reference to there only ever being one phoenix at a time – myself, I remember reading it in The Box Of Delights, which isn’t exactly authoritative.

**** I’m not really going to do it. But it’s a very tempting idea.

Film review

In which we detect a foul-smelling villain

Last night: to the local cinema for the first time in ages, with my friend Mystery Filmgoer, to see Harry Potter and the Empire That Struck Back Goblet of Fire whilst it was still on. As I’ve not seen any of the three preceding films I wasn’t too hot on the idea of going at first; but I have recently read the book; so I thought the film would be an interesting comparison.

I didn’t like the plot structure of the book, because I thought the final rabbit-out-of-the-hat plot twist was far too unshadowed and unexpected. The film completely solves that, by actually mentioning the main Evil Villain* more than once before the end, and adding in lots of extra clues along the way. Plus, he is definitely one of the sexiest evil villains I’ve seen for a long time.** An awful lot of subplots were stripped out of the book, but it still feels like a very crammed film, with far too many points left unexplained. If I hadn’t read the book, I don’t think I’d have had a clue what was happening at some points.

In other ways, it’s very unbalanced. The middle act is mostly light-hearted teenage embarrasment comedy; then the ending swings completely round to gloom, darkness, and foreboding. There’s nothing happy about the ending at all; just death, destruction, and the appearance of the real Evil Villain Who Is More Evil Than Anyone Else.***

The effects are all very, well, magical, and the design does seem very solid and well-thought. It does seem that if you’re a British wizard you’re expected to be a big fan of Victorian Gothic and the Arts and Crafts movement; and the design of Hogwarts’ bathing piers made me think more than anything of the Brighton and Rottingdean Seashore Electric Railway. Like all British films, too, you have the fun of spotting all the usual British actors: That Bloke From The Fast Show, That Bloke From Drop The Dead Donkey, That Bloke Who You’re Sure Was Dead By Now, and Ooh, Isn’t He The Sexy One Who’s Going To Be The Next Doctor?****

I had a good time watching it, but it’s definitely not a stand-alone film, what with the lack of explanation and the dark, anti-climatic ending. The point of which, I suppose, is that in a year’s time I will probably want to see the next one.

* I don’t mean Voldemort, I mean the chap who is his Evil Sidekick and actually does all the dirty work

** although Mystery Filmgoer disagreed loudly on this

*** “My evil overlord’s got no nose!” “How does he smell?” “Awful!!!”

**** I think Mystery Filmgoer was probably going to slap me if I called him sexy again

Books I *have* managed to read

In which I finish something for once

This week’s Book I Haven’t Managed To Read was going to be about a Neal Stephenson novel, The System Of The World. However, that’s been postponed, just because I wanted to brag about finishing another Book I Haven’t Managed To Read.

The book was one many, many people have read with no trouble at all. Harry Potter And The Goblet Of Fire. However, the first time I read it, in a hurry, I’d just tried to read two other Harry Potter books very quickly too. I got as far as Chapter Three of Goblet Of Fire, stopped, and didn’t pick any J K Rowling books up for a few years.

Anyway, last week, Colleague M said: “what? You’ve only read three Harry Potter books?” So, I picked up Goblet of Fire again, and read it. I didn’t get stuck. I didn’t forget where I was. I read it and I finished it. Hurrah!