In which we discuss “Halting State” by Charles Stross

This month I have mostly been reading: Halting State by Charles Stross, a near-future techno-thriller set in an independent Scotland, ten years or so from now. It’s a very good book; I recommend it; full of where-tech-might-be-going extrapolations. When reading it, though, I couldn’t help thinking: I have a bit of an advantage on the average reader.

It’s set in Edinburgh, you see, where Stross lives and where I used to live; and just about all the locations in the book are real locations. There’s the city mortuary, for example; an inconspicuous 1970s flat-roofed building built of dark shiny engineering brick, at one end of the Cowgate. I can picture it exactly in my head, because I spent four years in the university buildings which overlook it. The characters retreat to the pub over the road from the mortuary: when I was a first year, we’d go in there every Friday afternoon.* A few years later, on my way to work, I used to walk past a flat that gets raided by the police near the start of the book; and I always wanted one of the little houses in the Colonies where one of Stross’s protagonists lives.

I’m sure it’s a very good book even if you don’t know all this; but if you don’t, you probably won’t realise just how well-researched it is. Every location is realistic, because every location is real; and the science fiction becomes real too.

* all Edinburgh residents will have noticed a small geographical mistake in that section, actually: he gets one of the street names wrong.

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