Witchcraft and magic; film and academia
In which we ponder why both serious historians and the entertainment industry were dealing with the same subject at the same time
There’s a lot of pressure on the Symbolic Towers bookshelves at the moment, stacked several deep with books falling off the ends. The pile of books-to-be-read is growing, too, with books arriving on it faster than I can read them. Frankly, the cause is obvious – apart from me not spending enough time reading, I mean. The cause is: shopping trips to Whiteladies Road and Cotham Hill, and to the charity shops thereon. Several are specialist charity bookshops, and all seem to have a better quality of book stock than charity shops elsewhere in Bristol, presumably because of the university being close by. Recent selections have included God’s Architect, a biography of Pugin by Rosemary Hill; 25 Jahre Deutsche Einheitslokomotive*; and a classic historical work from 40 years ago: Religion and the Decline of Magic by Sir Keith Thomas. I’ve just started making my way into the latter, and it has started a few thoughts going round in my head. Not because of the book itself, interesting though it is, but because of other things that have coincidentally come together alongside it.