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Symbolic Forest

A homage to loading screens.

Blog : Page 44

New Year's Eve

In which we celebrate

Wednesday night was New Year’s Eve; and, for once, we went out. Counting on my fingers, I worked out, it must be about seven or eight years since I last went out to an event on New Year’s Eve, rather than just pop round to a graveyard or a friend’s house. Last year, I remember very clearly where I was at midnight: in bed, ill, groaning and wishing the bloody fireworks and cheering would shut up.

This year, though, as I said, we decided we’d go out. Find somewhere which sounded like Our Sort Of Thing, something new to try, and enjoy ourselves. And, indeed we did.

We ended up at the Cube Microplex, the independent cinema off Stokes Croft, for a night called Fascinating Virtue; and fascinating it was, with a stream of small folk-ish, indie-ish bands taking to the stage. One performer, Rachael Dadd,* had flown in from Japan that day, and flung a boxful of Japanese confectionary into the audience for us all to try. One landed right in my lap. We kept the wrapper:

Japanese wrapper

Other performers included alt-folk storyteller Jetfly, quiet harmonium-equipped duo love.stop.repeat, storyteller Hannah Godfrey telling a tall and beautiful tale in-between, and complex local five-piece Boxcar Aldous Huxley. The latter sounded like a cross between the Everything Is Illuminated soundtrack and the Decemberists,** had not only a harmonium but also a saw, clarinet*** and euphonium, and sang lively songs about such things as the Hellfire Club and how debauchery isn’t as good as you might hope; or the difficulties of being an astronaut in the 19th century. The stage acts finished with Men Diamler, self-proclaimed drunkest act of the evening, who went on to DJ by the bar for a couple more hours. We danced, energetically; skilfully in K’s case, not so much in mine.

K pointed out that often, when you go out on New Year’s Eve, it can be a bit of a compromise: you go out to something that you wouldn’t normally go to, just because you feel you should be going out somewhere. Fascinating Virtue was an event we’d be excited to go to any day of the year.

* I was tempted to ask her if she was related to the famous mentally-ill Victorian artist Richard Dadd, but I didn’t get chance. Which is probably a good thing, because I’d forgotten his first name.

** It was me who thought they sounded like the Decemberists, and K who thought they sounded like the soundtrack. K rather likes klezmer.

*** Any band with a clarinet in has to be a good thing. Except possibly for Supertramp.

Overheard

In which I wish I generally didn’t overhear quite so much

Overheard in a group of smokers outside a pub, as we entered it:

Woman: … I was shagging my dad’s best mate …

Photo Post Of The Week

In which we visit Penzance

One new year’s resolution I didn’t mention yesterday: finally getting all of last summer’s holiday photos online. I didn’t mention it, because, well, it should be finished already by the time you read this. Not really worth calling a resolution, to be completed so soon.

Rope, St Michaels Mount

Amphibious Vehicle

Fog, St Michaels Mount

Penzance Harbour

Penzance Harbou

Resolutions

In which we discuss the future

So, what are my resolutions for this year?

Well, really, they’re all project-based. This is going to be the year of getting things done – not Getting Things DoneTM, but the general, non-trademarked sort of getting things done.

This year, I will: for a start, redesign this website. It’s not been changed since it was first written, and it could do with being freshened up a little. Then there’s the other website project that K and I have been working on, that’s almost ready to go live, but not quite just yet – that one needs finishing off. And then, there’s everything else we’ve got planned. Everything else that we’ve thought about doing, and said: we really should do that one day. We really should do that. Everything from publishing our own zine, to getting some photos saleable, to writing a movie and a novel, to cataloguing all our CDs and DVDs. I’m going to have a stab at all of them.

Memories of the year (part two)

In which I remember moving house

My second memory of the year is the more important. It’s not so much a memory of a specific event, as of a feeling. The feeling I had when we had moved in to our new flat together, the friend who had helped us move had left, and we were alone in our own place for the first time. A feeling of immense love and unbounded opportunity.

Memories of the year (part one)

In which I remember arriving in Riga

In past years, I’ve usually posted my stand-out memories of the year so far, around this time. Last year there were four; the year before five.

There aren’t so many big, stand-out memories on my mind this year. That’s not because the year’s been dull or empty. Rather, the opposite: there have been so many happy memories that I can’t single many out from the crowd.

This one, though, is from my birthday. It’s getting dark, and I’m looking out of a plane window, at lamplit streets and tower blocks, watching the ground get closer and closer and trying to make out landmarks I recognise from the map. If you know me, you’ll know I don’t fly very often; in fact, at this point, I’ve been up since about 4am, I’m on the second plane ride of my birthday, and also the fourth of my life. I’m scared, not because of the flight or the impending landing, but because I’ve never been to a foreign country quite so foreign before, but I’m also rather excited. We might still be in the EU, but this is definitely more exotic than France or Germany. Latvia at night, as I turn 30.

Presents

In which I rant about lottery advertising

Today, I suppose, I should really go out and start looking for Christmas presents for people. I have no idea, at all, what anybody wants; no idea what anybody needs; and no idea what I’m going to buy. I know what I’m not going to buy, though.

On the way between our house and the local library, there’s a bus stop, and as bus stops tend to, it has a space for advertising on the side. And at the moment, the advert is nothing more than: a giant picture of a lottery scratchcard. With a slogan something along the lines of: “The ideal present for Christmas”.

Now. Just wait a minute. No. No, it isn’t. Excuse me for wanting to rant, but a lottery scratchcard is, in so many ways, just about the worst Christmas present imaginable. If you can think of worse ones, please let me know. Never mind a gambling ethics debate, it’s wrong in so many other ways. It’s small, flat, hardly anything to unwrap, no box to shake, no wrapping paper to tear off with abandon. Its entertainment value lasts for all of, ooh, about 3 seconds. It’s completely thoughtless and says nothing at all about the recipient, the giver, or anybody: it has no emotional or personal value whatsoever. And, finally, the chances are that it’s valueless: a piece of litter. It’s less use as a present than a sheet of wrapping paper. Or a stick. If I was given one as a present, I’d be crossing that person out of my address book straight away. And then hire assassins. Maybe I’m not the target audience for the advert, but there’s no way in hell that a poster is going to persuade me that buying a scratchcard for someone is a good plan as a present for them. What on earth would it say about me, for one thing? That I have so little imagination that I’ve bought them, ooh, a coloured piece of paper with that silver rub-off stuff on it.* Because a poster said so. Because that’s how brain-dead I am.

So, no. That’s not going to be on the shopping list, at least.

* What the hell is that stuff, anyway?