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Symbolic Forest

A homage to loading screens.

Blog : Posts from November 2007

Aging on the balcony

In which we are the oldest people in the audience

Mike Troubled Diva recently wrote about how it feels to be middle-aged at gigs, and suchlike. I’m not middle-aged yet, but I know how he feels, because on Saturday night I went to my first gig in ages, at Leeds Met SU. It felt like: I was the only one there over 25.

We hid up on the balcony, with a small crowd of other late-20s people, and watched. Sometimes I wasn’t watching the band as much as I was watching the frenetic crowd, moshing away. They were here to see a local band, Hadouken!,* who (if you believe the NME) are part of the New Rave scene. Personally, I think the NME is only ever interested in puns on “New Wave”, but there you go.** I might not believe in the existence of New Rave as a genre myself, but the crowd definitely seemed to. The crowd of 17 year olds were wearing outfits last seen in 1989, and covered themselves in heavy trees of glowsticks. After a few minutes they started to get bored,*** and threw them all at the stage; or broke them open to drip and spray each other with luminous toxic goop.

The band themselves: well, they were energetic. Rapping with guitars, and very very loud. It definitely got me bouncing; but when my own attention span occasionally started to fade, I began to wonder: does “rapping with guitars” really deserve its own genre name? And whatever did happen to Baxendale, anyway? But then, I started bouncing again.

* the exclamation mark is part of the name, I think.

** Hands up who remembers the NWONW scene!

*** “I don’t know, kids today, no attention span at all…”

Domestic

In which I'm is baffled by foreign manuals

Well, the new kitchen is just about finished, apart from a few little bits of pelmet and so on. The only problem is: working out how to operate it all. The hob, the oven, the microwave, all have lots of buttons and switches and dials, but I’ve no idea how exactly it all fits together, what works what. The manuals aren’t much help, either, as they seem to be largely in German. I was planning lots of baking when everything got sorted out – it might have to wait until I’ve remembered where I last saw my English-German dictionary. Ah, well, I suppose that means I have time to sort out my day-by-day photos of the kitchen being rebuilt.

Interconnectedness

In which we consider the perils of an updated adaptation

When I was in my early teens, one of my favourite books – even though I didn’t really understand half of the plot at the time – was Dirk Gently’s Holistic Detective Agency, by Douglas Adams. With a plot which was cobbled together from two separate Doctor Who stories, and which relies on the works of a poet I’ve never even read, it can be a little tricky to understand.* When I heard that it was going to be on Radio 4, I had to listen, purely to see if it was adaptable at all.

They haven’t done badly so far, to be honest, although the plot has been twisted round in various ways that, with one episode to go, don’t quite make sense yet. On the other hand, they haven’t quite pulled off updating the story to the present day – some parts would have been much better as a 1980s period piece.** And they did leave in at least half of my favourite joke.***

This isn’t meant to be a critique of the series, though, especially as it still has one episode to go. This is something I’ve spotted, which Radio 4 have been quiet about so far. Radio 4 are also going to dramatise the other Dirk Gently novel.

There’s a small clue on their website: it refers to DGHDA as the “first series”. Really, it’s a standalone book – the only characters apart from Dirk who pop up in the other book, The Long Dark Teatime Of The Soul, are Miss Pearce and Sgt Gilks. What makes it so obvious, though, is that quite apart from the plot-based changes, the producers of the current radio series have made other changes to DGHDA, adding references to tLDTotS to link the two books together. I’m also pretty sure they’re going to change tLDTotS to add in characters from the first book, too, to try and present them as a cohesive pair.

Whether this will work or not is another matter. Bookwise, The Long Dark Teatime Of The Soul is rather patchier and had more plot holes than Dirk Gently; although one of the things they both have in common is that small asides, or scenes which appear to be a quick joke, can turn out to be an important plot point later on.**** I’m enjoying the radio Dirk Gently so far, but I’m not completely convinced, and I don’t know why its adapters thought they had to do more to link the books together. Maybe I should write to them and ask.

* Particularly, you have to know that Coleridge’s Kubla Khan is, as far as poems go, pretty short. Wikipedia has a very thorough and spoiler-filled plot summary, which explains most of the trickier bits.

** How many people still use tape-based answering machines, instead of voicemail? How many people still refer to “car phones”? A story with a plot revolving around people leaving messages on answering machines, and stealing answering-machine tapes, doesn’t really make sense if you move it forward twenty years

*** “There’s no such word as herring in my dictionary!” Unfortunately, unless I wasn’t listening properly, they missed out the setup line which comes many scenes earlier.

**** At the start of Long Dark Teatime Of The Soul, Dirk had recently set up work as a fortune-teller, in drag, to get some cash in – but gave it up when everything he said, however outlandish, came true. It seems like a throwaway comic scene, at first – but in actual fact it contains important hints to what is going on later in the book.