In which we discuss The Guardian’s Berliner redesign
As I’ve been an avid Guardian reader for ten years or so – long enough to get very used to it, but not long enough to remember the old 1980s design – then of course I’m full of opinions on their new redesign. Or, at least, I was a week ago. I decided to hold off writing anything until I’d seen a full week of third sections; but now I’ve seen them all the novelty has gone, and I’ve settled back down to just reading the thing again.
The Guardian – sorry, I mean theguardian – hasn’t changed that much. It still has most of the same writers, even if they’ve shuffled round a bit. The additional sections haven’t changed much. It does feel, though, more like a magazine than a newspaper. It’s the combination of colours and fonts that does it; a full-colour newspaper on its own would still look like a newspaper, but there’s something about the fonts that makes me think of weekly trade magazines. The print and the paper is better than it used to be; but you don’t read a newspaper because you like its print quality.
I was slightly disappointed that, for all the talk about radicalism, theguardian backtracked so quickly on dropping Doonesbury. Yes, I like it, even though the jokes were drowned out by the soap opera years ago; however, I can still read it online. Maybe Doonesbury is their one sop to the style-conservatives: “no, we’re not going back to X, but we do listen – look, we brought back Doonesbury!” Personally, I was more disappointed about the death of Pass Notes: it was an old joke, but I still liked it.
I’m not going to stop reading theguardian, and I’m still going to read it on paper, not online. Newspapers change, and I’d think I’d rather have dramatic, sudden change than the slow drip of change you don’t realise. Besides, as I said at the start, now it’s been going for over a week I’m already used to it. The broadsheet Guardian is already history to me.