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Symbolic Forest

A homage to loading screens.

Blog : Post Category : Artistic : Page 9

Shoe Event Horizon

In which we wind the windows down and sing along

Seeing as Ian loves them so much, I went out at the weekend and bought a copy of the Johnny Boy album. Ian has good taste, I know, and in this particular case he has very good taste indeed.

Capsule review: loud, noisy, nostalgic pop that sounds like it should be pouring out of an ancient transistor radio. I’ve been playing it constantly in the car, turned up full, worrying all the neighbours and anyone waiting to cross the road. The opener, You Are The Generation That Bought More Shoes And You Get What You Deserve seems to have no verses at all, just a catchy hook that builds and builds. Half of the songs on the album are equally catchy, jostling for space in my head, especially Wall Street‘s “300 million down the drain” refrain.

The Last Days Of Winter

Or, an encapsulation

Still recovering from my awful, hacking-cough cold. For The Mother, who thinks I have had bronchitis continuously since August, this is more evidence that I am leading a terribly dissolute lifestyle and need to stop having sex, stay indoors watching TV, and go to bed at 9pm every night just like she does.

In lieu of a proper entry, it’s time for One-Line Album Reviews. Hurrah! In which, I try to come up with pithy lines about some of the albums he’s bought recently.*

The Victorian English Gentlemen’s Club, The Victorian English Gentlemen’s Club: you can’t hum it, the same as you can’t pronounce the name after a few gin and tonics very easily; but it’s some good, chunky angular music to listen to in the car.

The Aliens, Astronomy For Dogs: Like The Beta Band doing rock, which isn’t too surprising really. Rather good.

Gossip, Standing In The Way Of Control: A bit much hype involved, which (also) isn’t surprising really. It’s not a bad album, but they’re not as good as, say, The Kills.

Get Cape. Wear Cape. Fly, The Chronicles Of A Bohemian Teenager: Note to self: unlike TVEGC (see above), do not put this on in the car. You will fall asleep, probably at a busy motorway intersection, and kill hundreds of innocent pensioners on a coach en route to Southend.

And that’s most definitely enough of that.

* thus ruling out all the dronerock the Dronerock Fairy has been sending this way. Although the forthcoming Blonde Redhead album is rather good. Erm, so I hear.

Purcell, Automatic

In which we go back to a musical original

Musicology news of the week: the discovery by a Manchester University academic, Rebecca Herissone, that one of the best known pieces by composer Henry Purcell was largely rewritten seventy years after Purcell’s death, and that the original version is probably lost.

She’s only guessing, of course. Her logic goes: the only copy we have of Purcell’s Come Ye Sons Of Art was written out in 1765, by a chap who rewrote several other pieces by Purcell. So, he probably rewrote this one too. Circumstantial, but there you go. She has “reconstructed the original”, which was relatively easy because the rewriter wasn’t a very good composer himself.*

Quite apart from the slightly spurious validity of her reconstruction – given that she’s producing what she thinks Purcell himself ought to have originally written, isn’t there a risk of her producing a pastiche herself? – what amuses me is the idea that bad remixers have been around on the musical scene for years. It’s nice to know that the bad cover version isn’t something that’s only been around for fifty years.

* I’m going by what she said in a radio interview this morning, on Radio 4. But if the second composer was so awful, how come his version has been one of the most popular “Purcell” pieces ever since?

The reading pile

In which we start reading something

Never mind about all the Books I Haven’t Read that I’ve been posting about here; since Christmas I’ve turned over a new leaf and started to cut the to-read pile down a bit. The way I’ve found time: spending half of my lunch hour every day with a book. Currently I’m in the middle of At Swim-Two-Birds by Flann O’Brien, who…

The Plain People Of The Internet: Huzzah!

Me: Oh, god, I should have known you lot would turn up if I mentioned O’Brien.

The Plain People Of The Internet: Why, it’s kind of expected.

Anyway, At Swim-Two-Birds is one of those books that I probably should have mentioned in Books I Haven’t Read, because it’s a classic of Irish literature. Flann O’Brien is one of those writers I’ve been meaning to write about here, but haven’t. His first novel is about a student writing a book, about a man writing a book, whose characters escape from his control.

The Plain People Of The Internet: Like this, you mean?

Me: Well, sort of. But ruder.

Hopefully, I’m going to manage to finish it this time; and then get on with the rest of the to-read pile. There’s plenty to go at, after all.

This is what the nineties looked like

In which we revisit the past

Photo post of the week: photos from the archives, because I haven’t been out and about. These are all from 1996, I think; so this is what the 1990s looked like, to my eyes at any rate.

Old railway yards near the seawall

Tower blocks

Footbridge

Beach

Another shaggy dog

In which we tell a tall tale

There once was a teacher, who went by the name of Miss Swing. She was a very good teacher, popular with her children, who were all well-behaved and scored very well on all the tests they took. All the parents at parents’ evening either wanted to be her or be with her, and all her colleagues knew she was wonderful in the classroom, the best teacher the school had.

There was one small problem with Miss Swing, though. She would never agree with anyone else.

If you said something was black, she would say it was white. If you told her the weather was cold, she’d reply she thought it unseasonably warm. Anything you said to her, she would contradict if she could. The only exception was when she was on holiday, when she would be as pleasant and polite a person as you could ever meet. Apart from that, she would always disagree with everything you said.

Finally, one day, someone confronted her. “Why is it,” they said, “that when you’re on holiday you’re as charming as anyone, but when you’re in school, or even after work, you can never agree with anyone?”

“Ahh,” said Miss Swing, “I’m just a contradiction in terms.”

Books I Haven’t Read (part eight)

In which we fail to read “House Of Leaves” by Mark Z Danielewski

Books I Haven’t Read has come round once again. I considered leaving it for a while, after the last Book I Haven’t Read – the Author I Hadn’t Read managed to find it, and left a comment calling me “pathetic”. Ah, well, if you’re going to ego-surf, you have to be prepared for what you might find.

No risk of that happening with this post, though, because there’s already so much on the internet about this installment’s author, he’s unlikely to get around to discovering this place. Today’s Book I Haven’t Read is one that I’ve already warned you* would be coming. It’s House Of Leaves by Mark Z Danielewski.

When I mentioned I’d be writing about House Of Leaves, I invited people who had read it to own up and tell me how they managed it. Nobody did. Whether that means noone has managed it, or, more likely, not very many people read this site, I’m not sure. No responses, though. I’m not the sort of person to get rid of books,** but a few years ago when I was very short of cash I did try taking some down to a local second-hand bookseller to see what I could get. House Of Leaves was turned away, unsellable. I ended up using it as a doorstop.

It has some good ideas in it, but in the end it’s just too hard a read. There are too many things packed in, too many different layers. It has to be unpacked like an onion; like an onion there seems to be nothing solid in the centre, but it has no flavour to make the unpacking worthwhile. Take the endless academic footnotes, for example. Flann O’Brien’s Third Policeman famously includes a parody of academic footnotes, long ones, telling a whole story in themselves. It’s done with a light, delicate, comedic touch, though. Danielewski’s parody of academic footnotes, with notes going on for page after page after page, is dull and heavy-handed.***

If you have managed to read House Of Leaves – all of it, without skipping bits – then I’d still like it if you let me know. I’d like to know if it’s worthwhile getting to the bottom of it all, if there is anything lurking to find in the middle. I strongly suspect there isn’t, though. I strongly suspect that was supposed to be the point.

* if you’re a regular reader

** Get rid of books? Heresy!

*** although the list of buildings in footnote 146 – which is spread out over eight complex and densely-typeset pages – does include one building that I used to live next-door to. Mind you, the list is so long, every reader of the book has probably lived within 100 yards of one of the listed buildings at some point.

The fog

In which it’s the season of the new year

The fog is thick all over the country at the moment, but it’s only now it is affecting The South that it makes it into the news. Up here in The Forest we’ve had thick fog all week, but it hasn’t troubled the press at all. I’ve been driving the Town route home rather than the normal Country route,* because a fog-bump at 30mph is a lot safer, to my mind, than one at 70.

I’ve recently been rereading *The Dark Is Rising*, by Susan Cooper, for the nth time. And with the weather gripping the country, I couldn’t help thinking about that book. It’s set at this time of year, between Yuletide and Epiphany, and as the great force of evil, the Dark, rises and attacks the land, it brings on a great freeze and blizzards, stopping anyone from leaving their home. A great freeze is rather more dramatic than all-consuming freezing fog, but the fog has the same effect, muffling us all and slowing us to a standstill.

But now it’s the 21st of December, the time the festive season really starts. The solstice is tomorrow, I believe, and the year will have turned over. The solstice is the proper new year – it’s not an arbitrary date, it’s a measurable point in the turning sky. From tonight, everything will get lighter and brighter and on its way into spring. This is the time of year for flame and warmth and remembering that sunlight will come back into our lives.

* which is longer but a lot quicker

Come And Play In The Milky Night

In which we listen to Stereolab

That’s the title of a song I’ve been listening to a lot lately, by Stereolab. It’s a beautiful lullaby of a song, sung in a way that makes it almost an instrumental, structured almost as a round, with a single verse which starts in the middle of a musical phrase. I’ve liked it for a long time, but just recently I’ve been listening to it quite often. It sounds like whirling stars.

I have a cunning Christmas present plan – but I’m not telling you what it is.

Anyway: what do you want for Christmas?