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Blog : Posts tagged with 'Horne & Corden'

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A break with tradition

In which we review something *after* watching it, for a change


After posting this and that recently, I thought it might be time for a break with tradition, and actually watch something before getting opinionated about it. So, we sat down last night and watched an episode of the BBC3 series Horne & Corden. Which, admittedly, I’ve already been opinionated about. But it’s a start.

Possibly we were already slightly biased, by our reaction to the Lesbian Vampire Killers publicity, and to the show’s trailers. But, I can honestly say, we didn’t laugh. Not at all. Not once. None of the sketches in the show seemed at all funny. Mathew Horne is a good actor, granted, but good acting isn’t enough.

Many writers have said, over the years, that good short writing is harder than good long writing. Most famously, there is Pascal‘s quote: “I would have written a shorter letter, but I did not have the time.” It’s frequently referred to, though; I remember the Anglo-Australian novelist* Nevil Shute saying, in his autobiography, that the reason he was a failed poet was: because of its length, there is no room in a poem for mistake.** And, structurally, a poem is to a novel what a sketch is to a sitcom. In a sitcom, although it’s not ideal, you can cope with a weak scene in each episode, or a weak line in each scene. In a sketch, you don’t have enough room for any weak lines. Like a poem, though, it all has to make sense, despite having very little space for setup and explanation.

Too much of Horne & Corden felt like private jokes; too little of it was funny to an outsider. Sometimes I thought: I can see what they’re trying to do here, but that’s not funny. Sometimes, they had a setup, but nowhere to take it: “wouldn’t it be really funny if we did synchronised swimming! And we weren’t very good!” Sometimes, I couldn’t see where the joke was meant to be at all. We won’t be watching it again. At least now, though, I can criticise them with a clear conscience.

* and aeronautical engineer. I have a vague memory, which may be wrong, that his company designed the first retractable aeroplane undercarriage.

** Of course, he apparently never tried to write an epic poem

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Misogynistic Stereotype Killers

In which Mario Reading is quiet, so we criticise Horne & Corden instead


Quick update on yesterday’s post: as those of you with your own blogs will know, if you link from one blog to another, your blog will send a thing called a “pingback” or a “trackback” to the other one, and the owner of the other blog can choose to display it as a comment.

Yesterday I linked to the blog of Nostradamus-interpreter Mario Reading, when writing about his prediction that George W Bush would be assassinated in 2006, and his later claim that this prediction was right all along. Mario* saw the pingback, followed it back here, and (presumably) read my post about him. Unfortunately, he decided not to display the pingback on his blog, and so far hasn’t responded to what I pointed out: that his claim of correctness fundamentally contradicts the prediction he’s claiming is correct. I’m disappointed. Mario, if you’re reading,** if you want to respond to what I’ve said, then whatever you want to say, I promise I’ll publish it here. I won’t just delete it, like some people would. That’s a fair offer.

Moving on, comedy of a more intentional kind.*** We couldn’t avoid noticing posters around the place for the new British comedy film**** Lesbian Vampire Killers, starring Mathew Horne and James Corden; and, thinking: oh my holy pantheon. Someone would really produce a film with a premise like that? I mean, I’m not surprised someone – probably a 14-year-old boy – would write a film with a title like that, but, produce it? Agree to appear in it?

Well, fortunately, you don’t have to listen to me ramble on about how awful, ugly, and misogynistic we thought it sounded when we haven’t even seen it,***** because the excellent not-quite-worksafe blogger Bitchy Jones has written a similarly-kneejerk castigation of its low concepts. You only need to look at the URL of that to realise that she’s not-quite-worksafe; and she has done a far better critique of it than I’d manage. There are comments, too, from people who have actually seen it. If you also thought: “what, that’s a real film?” go and read.

Talking of Horne and Corden, I feel like I can’t get away from the buggers at the moment, because every time I switch the telly to the BBC, there’s a trail for their new sketch show; well, unless it’s BBC4. Being a sketch-show trail, it shows sketches. Sketches without jokes in. Their writing strategy seems to go something like this:

1: comedy set-up, relying on recognisable situation (eg. the movie “Ghost”
2: err …
3: … that’s it

No joke. No punchline. What’s the point of that, then? Is this some new zen-comedy, are there catchphrases that I haven’t noticed yet, were the trailers wrecked in the editing, or is it just lazy writing? Answers on a postcard, I guess. The trailers certainly don’t inspire me to watch it.

* or, whoever moderates his blog for him, if he doesn’t do it himself

** fighting my pun-instinct is really really hard here, you know

*** The blog title is about this bit, by the way, and completely unrelated to Mr. R.

**** words which, already, are not a promising start

***** See, at least Mario Reading gets criticised on the grounds that I’ve read his books and his blog and can spot the flaws in them, and not just on me thinking it sounds like it might be wrong.

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