Vampire-Spotting

In which we suspect that some TV cameras might be taking the train

Written by Forest Pines; published at 5:48 pm on June 17th, 2010.
Filed under: Geekery, Media Addict.

Regular readers over the past couple of years might have noticed that I quite enjoy spotting the filming locations of the paranormal TV drama* Being Human, filmed in a variety of easily-recognisable Bristol locations: Totterdown, Bedminster, Clifton, St George, College Green, and so on. Not for much longer, though, we thought: although the first two series were Bristol-based, the third series is apparently being moved over to Cardiff. Whether it will be the recognisable Cardiff Cardiff of Torchwood, or the generic anycity of Doctor Who, remains to be seen; but this was all clearly set up when, at the end of Series Two, the protagonists were forced to flee the house on the corner of Henry St and Windsor Terrace for an anonymous rural hideout. No more Bristol locations for us to spot, we thought.

Over the past week, we’ve been doing a lot of driving about moving house; we now know every intimate corner of every sensible route from south Bristol to east Bristol, or at least it feels like we do. So we were slightly surprised to see that, about a week ago, some more of these pink signs have popped up. “BH LOC” and “BH BASE”, as before.

We spotted them on Albert Road, near the Black Castle. “BH BASE” points along Bath Road, towards the Paintworks and the ITV studios. “BH LOC”, though, is intriguing. It points down the very last turning off Albert Road before the Black Castle end. That entrance only goes to two places: a KFC branch, and St Philips Marsh railway depot.

If you watched the second series of Being Human, you might remember that there was, indeed, a rather brutal train-based scene in a First Great Western carriage.** So, expect the third series to include, at the very least, an extension of that scene, if not a spin-off plotline. Or, alternatively, those signs aren’t really anything to do with Being Human at all, and it’s just coincidence that they pop up around Bristol a few months before each series appears on the telly.*** My money’s on that train from Series Two being the root of part of the Series Three plot; but, I guess, we’ll just have to wait, watch and see.

* Well, it started off as a comedy, and got more serious as it went along

** I was impressed that the programme’s fidelity-to-location included shooting that scene in a genuine local train, rather than just finding any railway prepared to get a carriage soaked with fake blood. Of course, it was probably a convenient location too.

*** The third possibility, of course, is that someone in Series Three tries to cure vampires and werewolves of their respective curses by getting them to eat large amounts of fried chicken.

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Keyword noise: BBC, BBC3, Being Human, Bristol, comedy, drama, film, filming, First Great Western, ghost, ghost story, railway, St Philips Marsh, television, telly, Totterdown, train, tv, vampire, werewolf

Lights And Action

In which we spot some filming going on, so talk about something completely different

Written by Forest Pines; published at 7:12 am on January 20th, 2010.
Filed under: Media Addict.

On my way home, last night and the night before, I noticed something going on along Ashton Road. Big floodlights, lighting up the whole street: some sort of night filming was going on.

Being intrigued, I went to the internet to try to find out what it might be. And then I checked my website stats, and found that people have been coming to this site, already, to try to find out what was being filmed. They can’t have got an answer, at least not from me. I haven’t been able to find a complete one, either, but I have found that it’s a drama about “the lives of young women who are involved with drugs and prostitution“, and it’s not specifically set in Bedminster, Ashton Gate, or in Bristol in general. Cheerful, then.

It reminded me, though, to say: you’d be able to tell, just by looking at my website stats, that the new series of Being Human has started now, with new extra dark edginess and even dirtier vampires than before. You can tell, because of the number of people who are asking The Interweb where it was filmed. To be honest, the establishing shots in the new series make it even more obvious than previously: most of them clearly show the street name. For new readers: the Being Human house is 1, Windsor Terrace, Totterdown, Bristol.* The pub, going by the exterior shots, appears to be along Henry St. K and I had a debate about the location of the car park in Episode 1: she said Trenchard St, I said Prince St; and the gay vampire’s house in Episode 2 was on Redcliffe Parade – as anyone who’s visited Bristol probably realised. Handily just round the corner from the hospital, in fact, should you have an urgent need to pretend to be dead.**

* Not in Cardiff, as one searcher seemed to think, presumably as the series was commissioned by BBC Cymru/Wales.

** In fact, I’m slightly puzzled now, why he didn’t pop up in the first series? After all, if you’re going through a major crisis and the self-proclaimed Vampire Leader is promising to destroy you, and you have a friend who has helped you in the past and is probably On Your Side … and he lives about 2 minutes walk from where you work, you think you’d probably pop round at least once. Of course, I know the real reason is that he hadn’t been invented at that point, but never mind.

One comment. »

Keyword noise: Ashton, Ashton Gate, Ashton Road, BBC, BBC3, Bedminster, Being Human, Bristol, drama, film, filming, ghost, television, telly, Totterdown, tv, vampire, werewolf, Windsor Terrace

Twenty percent of evil

In which we discuss The Turn Of The Screw Coupling

Written by Forest Pines; published at 7:45 am on January 3rd, 2010.
Filed under: Artistic, Geekery, Media Addict.

It being Christmastime, there’s nothing quite like a ghost story. Was it Dickens who started the Christmas ghost story tradition, or is it more down to BBC schedulers of the 1970s? Never mind. It being Christmastime, we sat down in front of the telly to watch the latest BBC version of The Turn Of The Screw, by Henry James. It seems like only the other day that it was last made for the TV; but here it is again.

I should admit, I’m not particularly a fan of The Turn Of The Screw, the book, thinking it rather dense and over-written, too wordy to be frightening or atmospheric. Partly this might be because I first read it in a less-than-ideal place: while working in a call centre, between calls. Being interrupted every few minutes by the phone chiming puts a slightly different perspective on your comprehension of mysterious horror and pernicious evil. The book itself begins with a properly seasonal framing story, which the new version ignored entirely, ripping the meat of the story out and sandwiching it within an entirely different framing story set some decades later. It’s now a 1920s tale told to some kind of doctor or detective by some sort of inmate – the narrator of the story proper.

I’m not going to delve into the whole thing; a summary is that the governess of two children becomes convinced that two evil ghosts are trying to attract her wards into their own world. These ghosts were evil when they were alive, we are told, are trying to cast the children into their moulds, and seem to be succeeding: one of the children has just been expelled from school for being unspeakably naughty. But while the governess starts to see the ghosts more and more frequently, and is convinced the children can see them too, noone else in the household thinks that anything at all is amiss. Thousands upon thousands of essays, papers and texts have been devoted to the question of: are we meant to think the ghosts are real, or meant to think they are in the narrator’s imagination. Whole critical careers have been staked on one side or the other of this argument.

For TV, though, subtlety is abandoned. The camera shows us: the children, possibly more of the household staff, know that the ghosts are there and have some idea what they are up to. The nature of Ghost One, Peter Quint’s evil, too, is much more explicit: he’s a Bad Man who has his wicked way with all the ladies. Because that’s often not thought so much of a Bad Thing these days, he’s violent to them too. The nature of the boy Miles’s evil is still left vague and mysterious. Peter Quint is trying to bring him up in Peter Quint’s image, so presumably he’s turning violent and misogynistic; but why would that get him expelled from a 1920s public school?* There’s not really a clear answer to that one, which is presumably why the film-makers left it still unexplained. It’s about the only thing that was.

Now, book and film/TV are different media, and it’s unfair to gripe purely about the fact that they are different media. Adaptations can’t be made unchanged, otherwise we’d hardly need the term “adaptation”. Anachronism, though, gets on my nerves a little bit. There were a couple of scenes in which the governess arrived or departed at their local railway station; I’m fairly sure it was filmed at the very scenic Cranmore station, on the East Somerset Railway, not too far from here.** This is the 1920s, so we should have a 1920s train turn up; at Cranmore, of course, that would be a GWR country branch train in the appropriate GWR dark maroon carriage livery.**** What train does the governess step out of? A 1950s British Rail carriage in 1950s chocolate-and-cream. It’s hardly very suitable; it’s just as anachronistic as a big diesel like this would have been. Or, indeed, as if Peter Quint had worn a James Dean jacket and shades. What’s the point of period drama if you don’t bother with a period set?

* we can presume, from his angelic tousled face, that he’s as yet too young to impregnate his house’s maid, which would be a very Peter-Quintish thing to do.

** At the Shepton Mallet end of Cranmore’s platform there’s an incomplete GWR “cash-register” signal, being slowly-but-carefully restored by the East Somerset Railway’s small signal-restoring team. You can see a picture of part of it here; it’s called a cash-register signal because, at the pull of a lever, a choice of signs will pop up from the black box. I’m fairly sure I noticed it pop up*** in the background of the station platform shots in The Turn Of The Screw, along with some platform buildings that looked rather Cranmoreish.

*** The signal itself, not the signs. Like I said, it’s not finished.

**** I forget the term for the colour; but then, most GWR fans tend to forget about it too.

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Keyword noise: accuracy, anachronism, BBC, bbc 1, cranmore, east somerset railway, esr, ghost, ghost story, Great Western Railway, GWR, henry james, inaccuracy, literature, peter quint, television, telly, the turn of the screw, train, tv

Afterlife

In which we consider how “Being Human” ended.

Written by Forest Pines; published at 11:53 am on March 15th, 2009.
Filed under: Media Addict.

Given the amount of space I’ve used to talk about Totterdown-set* BBC3 series Being Human on here, it’s about time I mentioned the series finale – it was a fortnight ago now, after all. Before the finale had been shown, we already knew that Series Two had been commissioned, which, I have to say, took away some of the suspense. It was possible that the writer would follow through the compulsary penultimate-episode cliffhanger by “killing off”** the main characters; but it wasn’t likely. It was also very likely that we’d lose some of the other characters; and, indeed, it happened.

The setup for the next series is already well in place, with at least three storylines there to take up, all fairly well-divorced from the series one plot. How much reference will be made to the first series, I don’t know. From a new-viewers point of view, three new-starting plot strands make sense; but from a writing point of view, it seems unrealistic. Given the end of the finale episode, I’d have thought that there shouldn’t be much of a gap in the series timeline between series; so how realistic will it be for the previous events to be barely mentioned?

Overall, the series was pretty damn entertaining, even though the finale itself wasn’t particularly exciting. This is the problem with the “compulsary cliffhanger” structure mentioned above: if the writer isn’t careful, the penultimate episode can end up much more action-filled and suspenseful than the final episode itself. Recent series of Doctor Who have tended to suffer from the same problem: the finale has trouble living up to the build-up in the previous episode. It left me thinking: “but why didn’t they just do that at the start?” To be honest, we were mostly watching it for the locations; and we’ll probably still watch the next series. Marks out of ten: ooh, I don’t know. Maybe a seven.

* for all those people searching: the shared house’s address is 1, Windsor Terrace; the hospital is Bristol General, by Bathurst Basin; and the undertakers are Up North, in Clifton.

** After all, they were all either dead or undead already.

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Keyword noise: BBC, BBC3, Being Human, Bristol, comedy, drama, ghost, ghost story, Redcliffe, television, telly, Totterdown, tv, vampire, werewolf

A Medley

In which we discuss local things, and eat pancakes

Written by Forest Pines; published at 12:55 pm on February 26th, 2009.
Filed under: Dear Diary, Media Addict, Political.

A few different things on my mind today, none of which are worthy really of a full post.

Firstly, in serious local political news, the city council’s minority Labour administration has collapsed, to be replaced with a minority Lib Dem administration. Whether the change in cabinet will lead to any changes to or abandonment of the destructive and wasteful guided busway scheme, much blogged about here in the past few months, we will have to wait and see. For that matter, there may well be changes to the rather rushed scheme to pedestrianise half of Prince St Bridge, which some people think was part of the guided busway plans; but which I think was more likely to be some sort of council sop to transport charity SusTrans, whose main office overlooks the bridge.

Talking of things round the Harbourside, regular readers might remember me talking about Folk Tales, the monthly music-and-storytelling event at the Scout Hut on Phoenix Wharf. February’s Folk Tales was last night; however, me and K didn’t remember this until about half-seven last night, at which point we didn’t really feel like going out. Oh well: roll on the next one. I remembered, when noticing that people have been searching the internet for information about it (and finding me).

Another topical search term: “what happens to Annie in Being Human?” Episode 5 spoiler time: sharp-eyed viewers will have noticed that although Annie was on the verge of passing on to the next world, she hadn’t actually gone when the credits rolled, so will no doubt still be in the final episode. Highlight the preceding bit to read it.

Aside from that: we had plenty of pancakes on Tuesday night, as is only right and proper; and enjoyed them so much, we had more yesterday. Which is probably slightly going against the point of Shrove Tuesday, but never mind. More pancakes has to be a good thing.

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Keyword noise: Being Human, Bristol, BRT, bus, Bus Rapid Transit, city council, events, fantasy, folk music, Folk Tales, ghost, ghost stories, guided bus, guided busway, labour, Lib Dems, Liberal Democrats, local government, local politics, music, Pancake Day, pancakes, Phoenix Wharf, politics, Prince St Bridge, public transport, Redcliffe, Scout Hut, Shrove Tuesday, stories, storytelling, SusTrans, television, telly, transport, tv

Haunting

In which we ponder some Being Human world-building issues

Written by Forest Pines; published at 3:25 pm on February 10th, 2009.
Filed under: Media Addict.

Some more notes on Being Human, which continues on the telly for the next few weeks.

There’s something about the show’s universe which has been bothering me slightly. That is: what happens when a ghost, who is invisible to the vanilla world, picks something up? Does it hover in midair? Does it vanish until the ghost drops it? Neither answer seems satisfactory, particularly when a ghost is moving things just out of a human character’s peripheral vision. It seems implausible* for people to see, for example, a casserole dish floating down the street; but what happens when Annie The Ghost then goes and opens the oven door?

Secondly: I’m presuming that we’re going to find out, later in the series, that there is another way to “kill” a ghost. Because, otherwise, everything would be rather unbalanced, and the vampires wouldn’t be quite so cocky. If a ghost can pick up a casserole, it can pick up a stake or a chainsaw. And I’m wondering if Pizza Guy from episode one is going to eventually be a major plot point, given that presumably he’s not human.

Location notes: the hotel in episode three was the Redcliff Hill branch of Hotel Mercure,** and the interiors looked to have been shot on location too. The “crime scene” in episode two, found by Annie chasing an ambulance, was in Warden Road, Bedminster, just off East St.

* Yes, using the word “implausible” when writing about something involving vampires and werewolves does seem slightly silly

** I know there probably isn’t a reason for this, but never mind. Why why why: Redcliff Hill and Redcliff St, but Redcliffe Way and Redcliffe Parade?

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Keyword noise: BBC, BBC3, Bedminster, Being Human, Bristol, comedy, drama, ghost, ghost story, Redcliff, Redcliff Hill, Redcliffe, television, telly, Totterdown, tv, vampire, Warden Rd, werewolf

Being Humane

In which we watched Being Human

Written by Forest Pines; published at 12:00 pm on January 27th, 2009.
Filed under: Media Addict.

After the post last week, I felt we really should watch Being Human, the new BBC3 series set largely in Totterdown. We were, I have to say, pleasantly surprised.

I’m not going to summarise the plot here, other than: it’s a fantasy version of the classic sitcom plot. Three oddball characters who are stuck with each other – a vampire and a werewolf who are trying to appear human, who have managed to rent a haunted house.* If it is a sitcom, though, it’s the sort I’d like to write myself: the sort without very many jokes in.**

Some things were a little overused – the heavy heartbeat when Mitchell The Vampire’s blood-lust attacks came on; and the post-production effect used to make skies look darker and more interesting. Some of the mechanics of the worldbuilding don’t quite make sense, either.*** But, overall, the series was remarkably subtle and realistic. For something involving almost-immortal beasts, of course. Moreover, unlike the trailer, the characters, not the backdrop, were its main focus. It might have obviously-recognisable locations – the Totterdown house, the General Hospital, St Nick’s Market**** – and it might have bit-part actors with local accents; but so far, it could have been set anywhere. It didn’t rely on the location for anything.

I can guess how the series is going to go from here. The real test, I suppose, comes with: just how well the minor characters are treated. Will Herrick, or Lauren, become just as full a character as Mitchell? What about Annie’s fiance?***** We’ll watch it, because we’ll be intrigued to find out. And, of course, just in case, we spot anyone we know lurking in the background of a shot.

* A former grocery store on the corner of Windsor Terrace. It has pub-type glass in the front window, but as far as I can find out it was never actually a pub.

** This is a good thing; and we’re lucky that Being Human was made by the BBC’s Cardiff drama section, and not by the people responsible for the awful laugh-tracked sitcoms that pass for entertainment on BBC3.

*** Actually, Vampire Civil Wars are an interesting argument to overcome the usual objection to vampires: if they’re immortal, and all their victims became vampires, then why didn’t we get to an I Am Legend-type situation about three weeks after they first evolved? Not being up on vampire-based literature, I don’t know if anyone else has ever covered it. They must have, at some point.

**** We did both shout out “Pie shop!” when George The Werewolf ran through the market and past the Pieminister stall

***** It confirms something I’ve thought for a long time, incidentally: ghost stories really can be the saddest stories in the world.

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Keyword noise: BBC, BBC3, Being Human, Bristol, comedy, drama, fantasy, ghost, ghost story, review, sitcom, television, telly, Totterdown, tv, vampire, werewolf, Windsor Terrace

Ghost story non-update

In which we try to double-check a psychic’s work

Written by Forest Pines; published at 9:15 pm on January 8th, 2006.
Filed under: The Family, Unbelievable.

If you’re not just a regular reader, but the sort of regular reader who reads all the comments too, then you’ll have noticed that Colleague M dropped by the site the other day to let me know that her sister Lydia* had been asking for its address. “I think she’ll be upset,” said M, though, “to find you haven’t written about her for some time.”

Well, I originally wrote about Lydia because of her haunting problems, and as they seem to have gone away recently, I haven’t written about them for a month or so. I forgot to mention, though, that I did have a Plan.

As I’ve mentioned before, The Mother has been heavily into genealogy recently, and as part of that she has subscriptions to all sorts of websites, including ones which let you search 19th-century census data. Lydia’s friendly psychic investigator had told her that her ghosts were from the 19th century.** Furthermore, she’d also told Lydia their first names. So, my cunning plan was: get The Mother to look up who actually lived in Lydia’s house back then, to see if we had a match. If not, well, censuses are only held once per decade, so it doesn’t necessarily mean the psychic was wrong; but if we did have a match then that would be very impressive.

Unfortunately, the plan fell through, when Mother found that back in those days, the houses in Lydia’s street weren’t actually numbered. Bugger. Given that I only had a couple of first names to go on, she didn’t really fancy trawling through census returns for the whole street. After all, it’s a fairly long street. And, if we did find a match, it wouldn’t really be particularly good evidence anyway, given that we couldn’t firmly link them to Lydia’s house. All-in-all, I was a bit disappointed, which is why I haven’t mentioned it earlier. But I thought I would. Just in case you’re reading, Lydia.

* not actually her real name, incidentally.

** they couldn’t really be any older if they’d actually lived in her Victorian-built house

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Keyword noise: census, Colleague M, genealogy, ghost, ghost story, psychic, research

If I told you what you were thinking, would you believe me?

In which FP considers being evil

Written by Forest Pines; published at 9:58 pm on December 19th, 2005.
Filed under: Unbelievable.

The other day, Tim Boucher linked to Colleague M’s ghost story, in which M’s sister Lydia had a bit of trouble with a pair of argumentative ghosts apparently haunting her house. When I first heard about the ghosts, I was hoping I’d be able to post regular updates on the story; but there don’t seem to have been any updates recently. I asked M if anything had happened, and was told that everything has settled down quietly again. No more ghostly voices on the phone, no more things going missing, no more possibly-possessed cats. So, Lydia is able to sleep at night again.

It did get me thinking, though. There’s something I’m tempted to try, but it would be rather evil. I want to try to be a psychic myself.

Not a real one, you understand. However, it should be very easy to pretend to be one, if I want. I’ve still not met Lydia herself, but I do know rather a lot about her, and her family, from M. Secondly, Lydia’s job includes shifts on an enquiry-desk type of place. In other words, it’s easy to get to talk to her – all you have to do is think of a question. All I would then have to do is start telling her the things my intuition was telling me. “You seem to be a mother – I can see a lot of love in your household – but there’s a lot of strain too. Are you a single mother?” And all that sort of thing. The question is: how far would I be able to push this before she starts smelling something fishy? How much would I have to prove I know about her? Or would she just assume I could genuinely sense things about her?

Should I try this? Or would it just be too evil of me?

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Keyword noise: Colleague M, evil, fraud, ghost, ghost story, gullible, misleading, psychic

Ghost story (again)

In which the story continues…

Written by Forest Pines; published at 7:18 pm on December 6th, 2005.
Filed under: Unbelievable.

Colleague M has passed on the latest news on her sister Lydia’s ghosts. The start of the story is here.

Lydia was still worried about the argumentative ghosts that are haunting her house, according to the psychic she brought in last week. She was settling down, though, and her sleep was getting easier again. Until the other night, that is.

Her daughter – who hasn’t been told about the possible ghosts – had gone away for a couple of days to visit her grandparents, and was phoning home before bedtime. They were chatting away as normal, when the daughter said:

“Who’s that talking with you?”

Lydia had the telly on; she turned the sound off. “There’s noone here,” she said, “it must have been the TV. Can you still hear them?”

“I can still hear them, Mummy,” she said.

Lydia looked around: she definitely couldn’t hear anything herself. “What do they sound like?”

“It sounds like a man and a woman, arguing.”

So now, of course, Lydia is terrified again.

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Keyword noise: Colleague M, ghost, ghost story, haunted, haunted house, haunting, psychic