In which things are squared, and vintage.
Back in August, I talked about photo framing, and the use of square frames. In fact, if you’re viewing this on the main page, there’s a good chance it’s down below somewhere, I’ve been writing so few posts lately. In essence: nowadays you get a rectangular photo, and it’s very, very easy to crop your photo to whatever aspect ratio you like. Back in the day, you got a square photo,* and if you wanted to crop it you had to take a guillotine to your print.
I’ve been trying for a while to be more disciplined with my aspect ratios, and either keep all my shots to the same aspect ratio as the camera uses,** or crop them to square. And, moreover, I’ve had the vintage cameras out. Back in August, I posted a test shot I took to check exposure. Today: the actual shot I was trying to take!
This was taken on an Ensign Selfix 420. The one big problem I have with it: getting the camera straight. It has two viewfinders: a glassless frame finder on the body, and a small brilliant finder attached to the lens. The former doesn’t really tell you if you’re pointing it in the right direction, and the latter is too small to see if you’ve got it properly upright. The light leak, on the other hand, I rather like; it’s only noticeable in bright sunlight in any case.
* Bear in mind that right through the 1950s 35mm cameras were a relatively rare thing, and the majority of the photo market used 6cm film such as the 120 format. It wasn’t until the 60s that the 35mm camera really started to take over the market, even though they had been around earlier.
** 121:81, in case you were wondering.
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