Mon 30 Jun 2008
It’s often said that you shouldn’t criticise or decry art just because you don’t understand it. You shouldn’t put down music, or books, just because they’re not to your taste. Well, I’ve found, there’s a limit to that. For we have been to the worst gig ever, and have barely survived it.
We were given tickets to last night’s gig by the reformed My Bloody Valentine, at the Apollo in Manchester. “They’re a life-changing experience” said the chap who gave them to us. Unfortunately, he was right.
The support - Sonic Boom Spectrum, Pete “Sonic Boom” Kember’s band* - was good, and interesting to hear; and the main act started off not too bad. It wasn’t really great, very badly mixed, but it was still listenable. I didn’t know any of the songs, but there were some good tunes somewhere in the depths of the mix; although I couldn’t tell if any of them were meant to be vocal or instrumental.
Towards the end of the gig, though, the band gave up on trying to play music. Instead, they blasted the audience as if it was a rioting crowd, with a barrage of white noise. Incredibly loud white noise. “Loud” doesn’t really describe it. Everyone was wearing earplugs, but everyone still had their hands tight over their ears. K was pressing herself against me, in pain, holding one ear to my chest and my hands over her other. And it continued.
I was expecting this to be brief. It was stupid and moronic, after all. There was no art to it, no creative input, no nothing. The band may as well not have been on the stage. But, no, it went on and on. People started walking to the exit, or discussing how bored they were by text message. I started wishing I’d brought a book and a torch. Anything would have been more interesting than standing around in a noise-filled space whilst a few people on the stage had an art-wank moment together. I started counting the people who were walking out - by now it was an appreciable proportion of the audience, and idly wondered where the circuit breakers were. Or if I could cadge a fag and a lighter - but how, with this noise? - and set off the fire alarms, if that would cut stage power. I wish I had done. Ten minutes, and it was still going on, the same as it had been to start with, no change to it, no modulation, just noise. I should have walked out. I should have walked out already. I wish I had done.
It took twenty minutes for the band finally to evaporate their remaining credibility and give up, by which time about a third of the audience had left. Twenty minutes of white noise. Twenty minutes of dangerous-to-health white noise: nearly 24 hours later I still can’t hear properly. My Bloody Valentine disgust me. They have squandered and wasted what little ability they had, in the pursuit of angering their audience. They’re not musicians, they’re brutal morons, and they deserve to end up infirm and insensible. Their audience, who are the ones with the hearing loss, don’t. My Bloody Valentine would be the worst band in the world, if you could describe them as musicians. This truly was the worst gig I’ve ever been to, and it really didn’t deserve to be staged. If the band had never reformed, the world today would be a nicer and more creative place.
* Thank you to the person who wrote in to correct me there. I wasn’t entirely sure who the support was at the time, but the chap who gave us the tickets had said it was going to be Sonic Boom.
June 30th, 2008 at 9:24 pm
What were they thinking? And what were they taking when they thought of it?
July 1st, 2008 at 1:37 pm
Most amazing gig I’ve ever attended. The white-noise section WAS punishing, but, as you rightly said, people did have the right to leave if they so chose.
I think it’s possible to justify the white-noise in artistic terms (but I won’t as I’d inevitably sound like a pretentious pillock!), and I really don’t think it’s reasonable to just accuse the band of “art-wanking”.
Thought they were great!
July 1st, 2008 at 1:59 pm
I must say, my biggest reaction to it, apart from anger, is disappointment, disappointment that there are people out there who approve of what the band did. They deserved to be thrown off the stage, and nothing more.
July 1st, 2008 at 2:44 pm
Alright, fully conscious that I’m probably about to make a fool of myself I’ll have a go at explaining why I think MBV make such good music…
They capture a feeling - brilliantly. That feeling is Summer afternoons in the country after too much cider has been consumed, and you’ve stood up too quickly, after having been lay in the sun for a couple of hours. So it’s low-level drunkeness, the onset of heatstroke, and headrushes. For me, personally, their sound evokes, then, a kind of nostalgic pastoral - I think that was much on display at the Apollo the other night.
Also (and this is the White-noise justification): there sound is existential (yep, I know, I’m blushing at the fact of having typed that sentence!)During the noise sections if you shut yr eyes it IS possible (very easily) to forget yr materiality - a less stupid way of saying it would be: you drift away; and whilst “drifting” certain fundamental questions cannot but help occur to you. At least that’s my experience…
They’re a band who don’t serve things up to their audience on a plate. They provide certain elements for the audience to work with; then the audience can either ignore or work with those elements as they choose.
I think there is very definitely a place for bands who are willing to run the risk of alienating sections of the audience in the expectation that there’ll be other sections who “get it” - or at least who are willing to give them the benfit of the doubt.
July 1st, 2008 at 2:53 pm
There are a couple of things about that that intrigue me, partly because my experience of MBV is limited to Sunday night.
I can immediately see a connection between your “nostalgic pastoral” evocation and their stage show, because of their light-show (I don’t really know what else to call it). Assuming that that show was typical of the iconography and design that they normally use, do you think that you’d still get that association without the visual link?
As for the noise: I know that low-level white noise is often used to induce that sort of effect, but for me, noise of that volume had exactly the opposite effect. It affected the whole body, and as such made me more physically aware of myself than I normally am. The one interesting thing I learned from it: it sounded entirely different when I was yawning.
July 1st, 2008 at 3:25 pm
It’s a fair point that the pastoral thing was made explicit at the gig via the visuals, but - again, personally - I’ve always felt there was a woozy Summer afternoon feel to some of their songs. I’d picked up on that a long time before I saw them the other night (the only time I’ve seen them)
And in my previous comment I did refer to the personal nature of my response to the white-noise.
Ultimately I feel part of the success of the group could maybe be said to lie with how they split opinion.
Would be interested to know how you combined being angered by the band yet simultaneoulsly bored…
July 1st, 2008 at 3:34 pm
It was a progression from boredom to anger as it went on.
July 2nd, 2008 at 10:52 am
The support was Spectrum, not Sonic Boom, sorry to be pernickity. Sonic Boom is Pete Kember (ex-Spacemen 3), the band leader, Spectrum is the band. Just to be anal.
July 2nd, 2008 at 10:57 am
Thanks for the correction - as a geeky pedant myself, I appreciate it!
July 3rd, 2008 at 4:11 pm
you sound like my mum.
“thats not music, it’s just noise.”
July 3rd, 2008 at 5:46 pm
Even people who liked it will admit that the part of the gig I’m objecting to was, basically, loud monotonous white noise for 20 minutes.
July 21st, 2008 at 12:39 pm
The person that gave you the tickets has either a wicked sense of humour or a mean streak.
You should have been warned and specially if you don’t normally like noise or art rock (or whatever the kids are calling it these days), I can definitely understand your anger. That noisy bit at the end is tantamount to physical assault! [Now, some of us enjoy that kind of thing, but also, we were submitted to it knowingly and quite willingly.]
However, the world wouldn’t be a ‘nicer and more creative place’ just because one band fails to reform. On the contrary, one more group of people making music (regardless of the kind of music and who appreciates it), inherently means the world is at least one more group of creative people richer, don’t you think?
August 2nd, 2008 at 11:52 pm
Brilliant!