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In which we talk about art and anonymity
Over the years I’ve had all sorts of plans for art projects which have never quite got off the ground. So I’ve never had to answer the question: how would I feel if I did something Artistic, which became famous all over the place, but nobody knew it was me who did it.
The local news here was full of something similar, recently. All around Yorkshire, in Goathland, Kilburn, Arthington and Braithwell, mysterious stone heads have been appearing; and some then disappearing again. Intriguing, you could say. I’m strangely attached to the idea of mysterious heads – which are reminiscent of some of the stranger stone crosses on the Yorkshire Moors – popping up in the night. Rather like crop circles, in a way.
Unfortunately, though, the mystery of the stone heads hasn’t lasted very long. Crop circles were a puzzler for a few years, back in the 1980s. The stone heads have been a mystery for a few weeks; but they’ve only stayed a mystery for a few hours now the story has hit the national news. They are apparently made by a chap called Billy Johnson. Presumably, he’s done it all for the publicity;* as he left some easily googleable clues attached to each head, it’s fairly obvious that he wanted to be found. Artists have to make money somehow, after all. Personally, I’d rather it had stayed a mystery, though.
Mysteries are good for the imagination. An anonymous sculpture, appearing out of nowhere, is something to tantalise the mind and get you wondering about all those things sitting just around the edges of the known world. A self-publicising sculptor called Billy Johnson – whether he’s real or not – is dull and mundane by comparison.
* and I’ve just helped, haven’t I. Oh, well. Billy, if you’re a self-googler and you’re reading this, I’ll tell you where my own street corner is; you can leave one there and I’ll make sure you get some more publicity for your website.
